Saturday, December 26, 2015

Thoughts on Zyuohger

I'd like to be excited about Zyuohger. I like that Junko Komura's getting a shot at being main writer, but I remember being interested in the news that Riku Sanjou was doing a Sentai and he ended up crapping out Kyoryuger, a show I can't stand. And even though I think I've probably enjoyed more of Komura's standalone episodes in Gokaiger and Akiba S1 than anything Sanjou has done...I feel like Toei's gotten to a point where they've taken on the thinking of every lazy, obnoxious bastard on the internet who thinks they're cool and likes to dismiss all this stuff as "kids' toy commercial, luzl." There's too many corporate fingers in Toei's toku pies nowadays that I don't think it even matters anymore who's writing it or producing or directing it -- everyone's kept on such a tight leash by the unimaginative bean counting jackasses that it's made all of their shit start to look the same.

I can't be excited about Utsunomiya returning as producer. Sure, I liked Shinken and Gokai, but he killed and killed again all that goodwill with Wizard and the terrible, terrible ToQger. And while I'm not expecting Zyuohger to be a cameo-fest and huge anniversary show like Gokaiger, it's kind of sad that it seems like they might not be doing anything to acknowledge the anniversary (40 is more notable than 35, IMO), the way Kamen Rider's pretty much dropped ever doing anything special for an anniversary. Ideally, they'd do something like Ninninger -- have past animal Sentai heroes show up for team-ups now and then, but, you know, do it in a GOOD way. (And that better include the mythological beast shows, so there can be some Changeman and Dairanger appearances!)

The suits are generic, and remind me a little too much of ToQger's. (Since green's one of my favorite colors, I have to mention how much I hate the really light green that ToQ and Zyuoh use. It just looks bad to me.) The mecha's stupid, but at least I don't care about mecha. Even though writer Komura says Liveman is her favorite Sentai, I'm not holding out hope on cool villains like Volt -- toku's given up on having cool villains. (ToQ's Zet came closest to being the best toku villain in a long while, but the show had no idea what to do with him.)

The best piece of news so far is that Susumu Terajima is playing the mentor. I've always liked that guy and have been waiting for him to pop up in a toku finally.

Yeah, thanks Ninninger. I went from starting the year trying to keep an open mind about the new show, since the past few years of Sentai have sucked so bad, to not even being excited about the 40th anniversary series. Damn, is Ninninger awful...

Friday, November 27, 2015

This isn't the post you're looking for.


I've seen far too many posts and videos lately trashing the original Star Wars movies. (The latest example: http://siskoid.blogspot.com/2015/11/the-curmudgeons-guide-to-star-wars.html) Now, my love for Star Wars has severely diminished over the years. But even so...I feel the need to address some of the complaints filed against it.

1) It's not a kids' movie. No matter how toyetic it became, no matter what revisionist history Lucas is spinning way after the fact -- he didn't intend for it to be a kids' movie. Kids love it, for sure, but that's obviously not what he was setting out to make. In fact, people who were adults in '77 say they remember it being considered a film for adults.

2) I don't understand where all of the "bad dialogue" stuff comes from. You know what has bad dialogue? The Matrix. Star Wars isn't like the most poetic stuff you'll ever hear, it's just rather flat to me, not BAD, not eye-rolling. They're not referencing tired, lame pop-culture that they should have no idea about, like Life cereal and Wizard of Oz.

"I have a bad feeling about this" isn't popular because it's a great line, it's popular for the way someone like Harrison Ford delivers it, at the NO-DUH, CHARACTERS parts of the movie where they'll say it. As in, "J.J. Abrams is creatively bankrupt. I don't know about this The Force Awakens...I have a bad feeling about this." Star Wars is one of the most quoted movies of all time, with numerous classic lines. What other movie with "poor dialogue" has accomplished this -- Suburban Commando?

Plus, that line only became quotable after fans noticed it was said in all three movies. It's quotable because of the repetition, not the wording.

I really blame Harrison Ford for this idea that Star Wars had "bad" dialogue. You know what he was complaining about? The technobabble and the mystical stuff. But people took him out of context and ran with it, wanting to sound cool.

3) I think how much you love Star Wars has to do with at what point in your life you encountered it -- if you've been exposed to harder sci-fi, you're probably not going to care for it. I know a lot of hard-core sci-fi fans dislike anything approaching science-fantasy, I know of some people who take pride in that they got into sci-fi with things like 2001 or Alien or Blade Runner. Star Wars isn't that, obviously. But I think there's something to be said for just what a phenomenon it was. It wasn't the studio buying people off, it wasn't anybody playing follow-the-leader -- Star Wars kicked open the door for blockbuster entertainment. It CHANGED things. And it was all a mixture of elements coming together at the right time like the advancement of movie technology and video games and people at that point looking to the future. Nobody saw Star Wars coming in 1977...it was a genuine juggernaut that struck a chord. There's nothing nowadays to compare it to, because Disney's already paid off all the critics and bought out all the theaters for the new one.

I'm a Trekkie now, but I can see why Star Wars appealed to so many people back in the day in a way that Trek never could, because Star Wars has that WOW factor, the spectacle, along with the hero journey and pseudo philosophy. (Hey, people like to knock it for being cliched, but...cliches become cliches for a reason, and that's because they work.) Keep this in mind -- Star Trek's answer to Star Wars was Star Trek: The Motion Picture. Has anybody made it through that movie?

There's also just a craft to the old Star Wars that is really underappreciated. I totally think Lucas lucked out in making the movie with a British crew, and that's where a lot of the attention to detail came from, but look at it in terms of scope, the creatures they brought to life, the planets depicted. It was a far cry from 2001's "They've gone to plaid!" or Star Trek's soundstage-with-the-pink-paper-sky and funky-forehead-aliens. I mean, I love Star Trek -- I love The Original Series -- but what we think of as these heady, cerebral scripts were really in fact just talky shows for the sake of masking they had no money or ability to do what they wanted to do!

We were only TOLD of worlds and their people and their wars, rarely ever shown. And who's worse -- Lucas for his hodgepodge, watered-down Eastern philosophy or Roddenberry using his show as a soapbox for morals and messages and ideals he didn't even hold himself to? ("MONEY IS BAD...but I'd like to sell you this IDIC pin and some books.")

What movie before Star Wars tried to do what it did, at such a scale, with such craft, utilizing so many styles of effects and costuming and puppetry and with the big Japanese influence? It made movies big. It made movies FUN. There's pre-Star Wars and there's post Star Wars. What was the most exciting live-action superhero/sci-fi/adventure/fantasy movie before it -- Chitty Chitty Bang Bang? If Star Wars was so "bad," so "overrated," would it be one of the best examples of a movie completely accomplishing what every good movie is SUPPOSED to -- capturing imaginations and transporting audiences to another world? (In Star Wars' case, several worlds, worlds that audience members want to live in.)

Star Wars had such a Tunguska-like impact that it influenced ITS OWN INFLUENCE (Japanese culture, specifically the tokusatsu genre) for decades.

And the acting, why do people trash the acting? You have a British heavyweight like Alec Guiness, you have an old pro like Peter Cushing, the well-loved Ford, you have Hollywood royalty as the Princess...consider what a good job Carrie Fisher does now that we know she was stoned out of her gourd! I get why people think Mark Hamill is whiny, but he's really just overselling the bored, resentful youth side of Luke in the first one -- I don't think it's a BAD performance.

You know what I like more than Star Wars? V: The Original Miniseries. To me THAT is an entertaining, emotionally satisfying piece of sci-fi, and Star Wars done right. It would not exist without Star Wars. Sit and think of what Hollywood and the entertainment industry would look like without Star Wars.

Saturday, October 10, 2015

The Sword of Time


I've mentioned previously that, while my family was in Japan in the late '80s, I didn't really get back into tokusatsu until the late '90s -- my high-school offered Japanese classes (which still shocks me), which led me to do an internet search for all of those awesome shows I had watched when I was a kid, as well as a rummaging through boxes packed away that still contained some VHS tapes of toku shows and different toku books I had.

The internet's crazy in the way I was able to find out not only about the shows I watched, but the shows that came before and the many shows after. The internet can be a sewer, but it can also be responsible for some good, cool things, some crazy things. I don't think a lot of youngsters today really think about it. This might be a lame example, but...when I was a kid and the latest Hollywood blockbuster had its toys lining a toy store, you had about a couple years, tops, if you wanted to buy them. They were available when the movie was in theaters, then they moved to the bargain bin, and then they were gone. With the internet, you can look up pretty much any toy, no matter how old, and find a site that's selling it. That's insane to me!

Anyway, when I was first getting back into tokusatsu, Megaranger was winding down. My first priority was to research the shows I had grown up with -- I liked looking up about the actors and what they did after the show. This is late '97, so all of my favorite toku shows -- Changeman, Flashman, Maskman, Liveman, Spielban -- were barely hitting the ten year mark. They were still NEW...ish. I have this weird kind of mentality that, from being out of the loop for so long, that the shows that came after Liveman are still "new" -- they feel new to me by not having been in Japan to see them. So, something like Jetman was only about six years old, but it still seemed a lot like the shows I had grown up with. I thought the "newer" shows -- the Sugimura Sentais -- were weird as hell, and while I later got into his Dairanger and Kakuranger, that initial weird feeling I had still kind of colors my view of them.

But, still, I marveled at getting to find out about the shows I missed -- old and new -- while always hoping to see people from my favorite shows pop up in a new one. I ALWAYS held out for someone from Changeman returning in a new show or Yutaka Hirose playing a villain in a new show. Year after year would go by, and it seemed like the new shows lost interest in having guest stars (which meant cameos) or human villains (which meant awesome guys like Yutaka Hirose).

Get to the point? OK. That was the late '90s, when there was still a good chance of my favorite actors appearing again. Most of them were all still working in showbiz. Now? All of my favorite shows are pushing the 30 mark and A LOT of the people I like have retired, so...realizing that was a bit depressing. I didn't mind my favorite actors not being in a new show in the early '00s, because you had Toei Channel or awesome magazines like Toei Hero Max or the DVD booklets which would round up old, retired cast members for interviews. You got to see what they look like now and find out what they're up to. But, NewType never really dug that far back and Toei Hero Max has been in the crapper for a while -- gone are the days where they try to assemble full-team reunions, now they're stuck just doing a bunch of Ishinomori retrospectives and plugging the new shit. And since every Sentai has made its way to DVD, there's obviously no more chances for DVD reunions/interviews. (The only chance, and it's slim, is if they start doing older Sentai shows on Blu-ray.) Every toku has been rerun multiple times on Toei Channel, so they don't really do special interviews there anymore, either. There are fan events, but they tend to focus on the same group of people. (Mostly '90s people -- the Dairanger guys are the George Takeis of tokusatsu, they'll attend any and every event.)

When you think about how long tokusatsu's been around, you'll realize that there's been a ton of actors involved. Between how many actors there are, how poorly Toei kept track of things in the old days, and how many actors used stage names, I feel like there's a lot of actors that people probably lost contact with, so you might not even know if they're all right. (I doubt anybody would know about Bioman's Yuko Asuka passing away if it wasn't for JAC actor Takanori Shibata happening to post about his visit to her husband, Seiki "Juspion" Kurosaki, since they both just lived a quiet life away from showbiz.)

Basically, it just depresses me to think that the shows I love, the shows that mean most to me, are now...getting up there in age. A lot of the hope I had for actors returning or characters returning or even the franchise returning to its roots are slipping further away. Gokaiger handled '70s and '80s poorly, but Sentai's 40th anniversary will be even worse. Auction sites used to have several pages of items for these shows, now they'll hover at around two pages. It's really strange for me to watch the first Kamen Rider series, which I always thought myself seemed "old looking," a world apart from the '80s shows I grew up with, but recognize a ton of locations those '80s shows used, making MY shows closer to the "old" '70s than the more modern works that I see them as.

Also, it's kind of frustrating to see Japan finally catching onto the Nostalgia Wave -- which the internet created -- and dipping their toe into doing full-on reunion specials like the Hurricaneger 10 Years After thing. Where was this for good shows that deserved those updates?!?! The only special Hurricaneger could have that would be worthy of them is Hurricaneger: Six Feet Under.

This doesn't even just apply to toku. Mostly all of my favorite movies are from the 1980s. I think it's obvious how influential that decade was for movies; most '80s movies were creative, original, pushed the boundaries of imagination, filming techniques, ratings. I'm part of the VHS generation, and VHS made those movies live longer lives than most movies do and Hollywood is still fracking the decade for its productions. I don't know what it is, but it just hit me one day that something like Karate Kid or The Goonies or Back to the Future is 30 and over. (Back to the Future is as old as 1955 was when the movie was out...!) It's just weird to me that those movies, MY movies, that are eternally young to me, look as strange to a youngster today as, you know, some weirdo Technicolor musical from the '60s looked to me when I was young. That movies with "big" messages like The Breakfast Club are irrelevant to today's audiences. (I still think it's kind of sad when the cast members for that movie are hauled out for awards shows and reunions like museum pieces. You can almost hear the "Who cares?" in the minds of youngsters.) Like, it's heartbreaking to see MY Batman movie, the 1989 movie -- you know, the one that people at the time whined was too dark, the one that made Batman cool again, the one that took Batman to his roots to erase the memories of Adam West's campy show -- be called "campy" itself.

A lot of this got hammered home to me throughout the year of running the Changeman 30th anniversary stuff. Like...just how old the show seems, how most of that cast is retired and/or not active on social media. I imagine, if one were to do something for, like, Dairanger or Ohranger, it would be easier to pester people and get stuff out of them since most of those cast members are shameless attention whores and/or have an online presence.

In a nutshell: time is weird and can be mean and Shougo feels old.

Monday, August 10, 2015

Diana Action

Well, since I just wrote about Spielban, I figured I don't have to go too far into how much I like it and Diana, who's one of my all-time favorite tokusatsu heroines. You can count on one hand the female characters who are allowed to do anything in a Metal Hero show, but Diana's the best of them. Tough, cool, funny, reliable, and she knows how to kick ass and do her own stunts. While Toei has a soft-spot for the Metal Heroes, Spielban's always lost in the mix. Even so, they most likely would never have done any kind of out of suit figure for Diana, like a Girls in Uniform. So, once again, I had to go custom...


Friday, July 24, 2015

My Friend Spielban


I loved Spielban when I was a kid. Of the few non-Sentai other toku shows I saw, it was the only one I really liked, and liked as much as a Sentai. I thought it was just a really cool show. It looked cool, the cast was cool, it had music that excited me. And it had a lot of cool toys, which helped. Like a Twin Blade that was meant to look like it was glowing, that was neat. The headset of Spielban's that came with Diana's walky-talky looked like it would have been a blast to play with as a kid, pretending to patrol the streets of Japan in your make believe Mitsubishi Pajero.

I think Spielban gets a bum rap from fans. I don't know why this show is considered the forgotten failure of the '80s Metal Heroes, but the Space Sheriffs are put on such a pedestal, when Spielban pretty much takes the best things about those shows and wraps them into one package. And I don't think it's a case of Metal Heroes just being repetitive as they can be -- I always got the impression that main writer Shozo Uehara might have known that Spielban was the farewell of the space-themed Metal Heroes, and the last one he'd work on as main writer, so he deliberately made it a big amalgamation of all of his previous Metal Hero shows.

Spielban takes ideas that weren't utilized well in the previous Metal Heroes and makes them work, or takes them further. Spielban also came at a time when shows tried to dig a little deeper, have a meatier storyline, and I think it has a better ongoing storyline and pace than any of the Metal Heroes before it. (Especially the beyond formulaic Space Sheriff shows. Not that Spielban completely avoids some of the same traps as the Space Sheriff shows -- the final fights in the rock quarry which use hefty amounts of stock footage, especially once the show's nearing its end and its budget dwindles.) In addition to being The Ultimate Metal Hero show, I see it as a farewell to the space-themed tokusatsu shows of the time. Both 1986 shows, Flashman and Spielban, were the final heavily space-oriented shows of Toei's for a time. The Star Wars wave was subsiding, so Toei knew to move on, but not before having a blowout; Spielban put to use as many of the trends as it could. From Lucas to Spielberg and Zemeckis and even Donner's Superman, directors and movies who really changed pop culture, and captivated audiences worldwide, it owes a lot to those filmmakers and their record-destroying blockbusters of the time. (A LOT of tokusatsu and pop-culture owe a lot to those movies and their makers.)


Upon a recent rewatching of Spielban, I also realized that you can sort of catch glimpses of how Kamen Rider Black might have turned out had Uehara stayed with that show. Helen, Spielban's sister, is turned into the Metal Villain Hellvira, and Spielban's search for her is the biggest storyline of the show's first half. Pretty similar to the way Koutarou was in search of adoptive brother Nobuhiko, who became Kamen Villain Shadow Moon. (Maybe Nobuhiko would have become a good Rider in the show's second half, under Uehara's charge?) Also: the Youki arc is reminiscent of the way Uehara had set up Golgom, with the supernatural figures enticing citizens in powerful positions into following their cult. Just how shattered Kamen Rider Black's production was can be felt throughout that show, so I actually think Spielban pulls off these storylines in a more satisfying way than Black ultimately did. (Spielban even has an awkward hero-sings-his-own-character-song-on-the-side-of-the-road scene that Kamen Rider Black's movie had. Both songs are atrocious. But, yeah, I'm just going to put out the theory that Spielban is totally Uehara's Black prototype.)

Another way the show acknowledges it being the ultimate Metal Hero? Casting Hiroshi Watari as his second main hero after just three years and bringing back fan favorite Naomi Morinaga in a regular role, first as an unwilling villain and then as the third teammate. Morinaga stole the show in Shaider -- many thinking SHE should have been the main character -- so it's great that she's given two henshin roles here. And rounding out the hero side is the so-damn-awesome-she-should-have-been-in-every-show Makoto Sumikawa. Diana is an all around kick-ass and fun character who I feel you can always rely on, and can really be the heart of the show. Watari and Sumikawa having that JAC connection gives them such a sense of history and friendship that really comes across on screen, convincing you that these two are life-long friends. I love that all three heroes are Japan Action Club members, so we get some damn cool fight scenes out of suit in every episode. Spielban really spoils you in that regard.


I also like how it kind of feels like the odds are against Spielban and Diana. It's just the two of them up against the crazy Wahler Empire, with no means of back-up or replacements of any of their equipment. There's not a large organization of fellow Space Sheriffs to help bail them out, they can't easily fix or replace vehicles or weapons of theirs that are damaged. (They'd be REALLY screwed if something happened to the Grand Nazca ship.) As far as they know, they're far away from their homeworld, and even then a lot of the people and planet have been destroyed by Wahler. So, they're stuck on primitive old Earth with stupid Daigoro and his bad inventions that never work and have to do their best. Good thing they're able to kick so much ass on their own.

The villains also have more going for them than most of the Metal Hero villains had at that point. Pandora is one of the most memorable main villain of the Metal Hero franchise, and my favorite of Machiko Soga's main roles. She's wicked, she's funny, she's sadistic. Soga brings a confidence and strength to Pandora that I don't think she has with her other roles. You completely buy her as the sort of cult leader perpetuating the idea of this Wahler deity through intense devotion and total showboating that the deity can only speak through her. The Metal Hero villain groups up until that point had that set-up that was popular in the early '80s -- a main villain, maybe a lieutenant, a squad of anonymous women.

Well, once again, Spielban makes the most of all of Uehara's worlds to build its villains. Besides Soga, once again, there's still the squad of anonymous women, but also the robotic Deathzero, the plucked-from-the-future urchin Guillotine, the evil spirit Youki, Metal Villainess Hellvira and mad scientist Dr. Bio, who is Spielban and Helen's completely brainwashed dad, Ben. (It could have been gimmicky, casting theme-song singer Ichirou Mizuki as Ben, but I think he does a decent job in the show.) Metalder gets credit for having the different factions in the villain organization, but Spielban had a precursor to that by having Deathzero leading a robotic army and Bio representing mutant life-forms. (Guillotine comes along and basically splices the two, while Youki uses supernatural abilities, and Riki's Spy Army -- when they DO get a chance to head their own plan -- use tactics and weapons similar to Metalder's Armed Armament faction.)


I like that, while Bio is brainwashed, he still looks out for Helen, and since he's spent all of this time with Helen, he cares about her the most. (Sometimes, it sounds like she's the ONLY one he cares about.) Helen has this tragic arc where she's used against her will as Hellvira, never having memories of what she did as Hellvira, trying her best to flee civilization and hide once she reverts to Helen. It reminds me of the '70s Incredible Hulk show -- slap "Lonely Man" over one of the scenes with Helen wandering or hitchhiking and there you go. But Bio always tries to look out for her, and ends up being the one who frees her from the Wahler Empire. BTW, Keita Amemiya designs for the villains sure don't hurt, either. You think they'd be more popular for that reason alone.


While the out of suit action always rocks thanks to the three devoted leads, the in-suit action -- which is typically good in itself -- can be repetitive due to limited locations and/or reliance of stock footage, but I think action director Osamu Kaneda films Spielban's fights in such a furious blaze of speed and that he's striving for more than what he did with the Space Sheriffs. Like, it's pretty much always similar, but as a kid, I thought Spielban finishing a monster was the coolest. I still think it's cool, it's still hard for me to not get excited when he gets out the Twin Blade, the opening theme kicks in, and he performs the Arc Impulse, turning his back on the dying monster. I still think Spielban pulls the "turning his back on a dying opponent as they explode" off the best and coolest. When I was rewatching Spielban this time, I tried to think -- it's something that's so regular that it's a cliche now, but what was the first show to have that turning their back on the exploding opponent thing? Did Osamu Kaneda popularize that move? Was Spielban the first show to make it a regular thing, a trademark move? Do I just associate it the most with Spielban? Eh, doesn't matter -- Spielban does it the coolest, dammit!

I think the main reason the Japanese fans don't respect Spielban, sadly, is because of the controversial finale. While I liked that the finale tried to go for something different, tried to have a twist rather than "the main villain is treated no differently than the head villain, and the hero rides off into the sunset/space", I do have to admit that the ending...doesn't entirely make sense. I appreciate the effort, I think it IS a cool twist in theory, but it just doesn't hold up. But, then again, it doesn't make any less sense than The Terminator movies, and people worship those and act like they're logically sound. Maybe Diana needed an obvious line like "Gosh, a person could go crazy thinking about this!" to try and cloak the nonsense and sneak it by the viewers and they'd be OK with it.

While I was into MMPR when I was a kid, and I recognized that it was derived from a show like the kind I saw in Japan as a kid, I didn't know what Sentai shows they came from, so that didn't really matter to me. (I did recognize "Rita" as being from Spielban, though.) But when I first saw an ad for VR Troopers, using two shows I knew very well -- I loved Spielban, didn't care for Metalder at the time -- I was shocked. Disappointed. Heartbroken. Angry. I loved Spielban. It was cool and fast paced. I didn't want to see it treated with the same, tame, lame Danny Tanner kid gloves like PR was treated with. And sure enough, the show stunk, and the guy who played J.B. was the worst actor on it (and when you're competing with a guy like Brad Hawkins, that's saying something). And it took Spielban's awesome kill scene and made it typically Saban-level lame. Gone is a guy like Hiroshi Watari growling lines like "Arc Impulse" before delivering the death blow. Instead? "Laser Lance Command, now! See ya!" After that, the actor attempted the typically lame sounding, flat "HIYAAAAAAAs" that Power Rangers is so fond of, but they sounded more like dry-heaves. Just terrible. Just ruining Spielban, making it lame, and lumping it together with a show it had nothing in common with...and then trying to give it a lame-ass virtual-reality dressing on top of it. Screw VR Troopers.


VR Troopers couldn't even give us any decent toys. They all looked like crap. Spielban's own figures from '86 were disappointing. The soft vinyls didn't resemble him much. He had a giant light-up toy that came close, but I always thought was too top heavy and bulky looking. That's why Spielban is more deserving of having his Figuarts released than mostly any of the figures that line has come out with since teasing his release. Will they release him? Probably not, since it's a figure I actually want of theirs. Even if he is released, I can't enjoy it. I'll know some demented bastards are buying it because they like J.B. and VR Troopers. (I know that's petty bullshit, but try to understand this Spielban fan's complete hatred for VR Troopers.)

One day, maybe the fans and Toei will realize how awesome Spielban is. Until then, that's just more Spielban for me, MWA-HA-HA!


Sunday, July 12, 2015

A Super Sentai Shout Out to Shout! Factory

With Shout! Factory announcing plans to release Dairanger -- which I AM excited about -- it got me a-thinkin' about where these releases are headed and I realized...it will be pretty boring, and probably business suicide to proceed in chronological order the Super Sentai shows which became Power Rangers entries.

So, I'd like to suggest -- as a way to keep business flowing and interest sparked -- that after maybe Kakuranger, they begin to jump around with their releases. I mean, imagine this -- next year, Dairanger is released. 2017 would be Kakuranger. 2018 would be Ohranger, which is a god-stinking-awful show and would immediately kill people's interest in buying any more Super Sentai. How bad is Ohranger? Practically everyone who worked on the show, who had been with the franchise for numerous years, walked after that year. How bad is Ohranger? Super Sentai fan and Nerdiest Idol of the Nerds Shoko Nakagawa doesn't like it. How bad is Ohranger? Power Rangers fans consider the Power Rangers season which used Ohranger footage, Power Rangers Zeo, to be superior. Power Rangers Zeo, aka the season where they opt to focus more on Bulk and Skull becoming defective detectives than they do on any Power Rangers action, because that's what little choice Ohranger left them.

My recommendation? Start jumping around and releasing shows that were turned into fan favorite seasons of Power Rangers. Kakuranger is a popular series, everybody likes ninjas and goof-assery and it's also representative of the end of the MMPR era, so that show's release is probably a given. (It also doesn't hurt that it has a recognizable action star in cast member Kane Kosugi.) So, skip Ohranger and release Megaranger next, which is not only a well-liked installment of the Super Sentai franchise, but was turned into Power Rangers In Space, which is probably the most popular season of that franchise. After that, do Timeranger, which became the well-regarded Power Rangers Time Force, both shows being attempts at showing how dramatic the respective franchises can be when they want to. While Power Rangers Ninja Storm is an unpopular season, most Power Rangers fans who have seen its source material, Hurricaneger, tend to like it, and since that show has been left largely untouched by fansubbing communities, there's actually a strong demand for Hurricaneger. Dekaranger and Power Rangers S.P.D. are both popular amongst fans, with a resurgence of interest in Dekaranger thanks to the upcoming reunion movie. And we all know how much Toei loves Shinkenger, so it's only a matter of time before they push for that one to get released...

Now, can we start talking about the idea of releasing Spielban and Metalder to show VR Troopers fans what the originals are all about?

Shougo B'Stard is a lifelong Super Sentai fan who is under no impression that his beloved Super Sentai classics from the '80s will ever see an R1 DVD release. Hawaii could have at least done Battle Fever J, though. Seriously, you released Inazuman, but not Battle Fever?!?!?! Who cares about Inazuman!?!

Thursday, June 18, 2015

After the Owari


It seems like there's a consensus amongst Rider worshippers that Kamen Riders are "more heroic" than other heroes, specifically Sentai. Like, Gaim got a lot of praise for its "realistic" handling of toku heroes and their ideologies; the way that main hero Kouta is criticized by other characters for having a "loose" motive of wanting to win the Rider battle in order to protect everyone rather than a more personal, selfish one, for example. Gaim's writing and mostly assholeish, self-centered characters were also praised for acknowledging that the world will still be in peril long after this year's Kamen Rider saves the day. Gaim wasn't treading new ground, a couple of other shows have brought this up. Heck, even something really TV-Y7 like Dekaranger did, when the Dekaranger were ready to execute Aburera in the finale, and he said something like "Killing me won't rid the world of its problems; as long as there's still greed, there will be someone like me." I thought that was kind of an...interesting and cynical thing for something brighthearted like Dekaranger to bring up, addressing the fact that stopping these crazy villains in the year their show is allotted to run won't solve the world's problems. So it's certainly not something only the "amazing" Kamen Rider has covered, or the immediately overrated Gaim. (GARO, after a nearly ten-year reign, was finally dethroned as most overrated tokusatsu. Gaim now wears the crown...which isn't a real crown, just a Burger King one.)

I've always felt like the unspoken rule in tokusatsu is that the powers exist to fight against the specific threat of the show's supervillains -- the heroes aren't meant to take on ALL of the world's problems. Like, the Magiranger powers weren't created to go start beating up yakuza when they were done with Infelshia. To me, it makes sense that a Showa Kamen Rider would dedicate the rest of his life to fighting monsters -- the shows repeatedly established the idea of Shocker and its kind setting up shop in numerous locations around the world. The Kamen Rider is a product of that organization, genetically modified, a freak; he'll isolate himself and hit the road to take down the different branches of bad guys. And the shows were sequelized, so they were just following what each one did. So, it's understandable to me that Kamen Rider V3 doesn't end with Shirou Kazami celebrating Destron's defeat, deciding to then pursue his original dream and become the world's number one rugby player. Continuing the battle makes sense for a Showa Rider like that. But...there's a lot of anti-Sentaiites who like to imply that Sentai heroes are somehow less heroic because they decide to resume normal lives after their war.

A lot of Sentai is based on the idea of teams being formed for specific threats or strangers being pulled together to fight specific threats. There's a couple of shows, like Dekaranger or Boukenger, where the teams and powers existed prior to the series and continue to be employed AFTER the series-long battle. Some powers are created by the survivors of a destroyed civilization who recognize a new emerging threat similar to the one that caused their planet's demise. (For example: Peebo and Bio Robo sensing that Gear would bring a similar destruction to Earth that befell the Bio planet.) But most Sentai finales are dedicated to showing the heroes moving on with their lives after the battle we've watched for a year as an audience. I look at Sentai as the military (which is appropriate, duh, considering the origin of the term) -- they're the army, going to war with a specific group, a specific threat. There are soldiers, after a brutal war and serving their country, who will have this outlook of "I've done my fighting for my people, I've fought my battles. It's time for the new soldiers to step up." I think this is the thinking in Sentai when they resume their normal lives in the finale.

When these shows talk about "restoring peace to the world," the writers and the shows know well enough that they're not talking about real world problems, but the way that everyday life is disrupted by kooky invaders and renegade ex-Nazi monsters. No show pretends like everything in the world is hunky-dory after they wipe out some alien force. The Bioman powers were meant to fight off threats like Gear, not every Silicon Valley knucklehead who tries to come up with the next stupid Candy Crush type of game. The Liveman powers were created to prepare for whatever nasty shit they knew Kenji and the others were getting up to with Volt; the Liveman may speechify about life, but those powers weren't meant to stop muggings or go fight in wars. There's police and armies for that, but police and armies are supposed to be pretty much no match for supervillains, hence their lack of involvement in most shows.

Most Sentai members put their lives and dreams on hold when becoming a hero, and try to just resume their lives after the battle. It's not like they turn their time as a hero into fame, charging for autographs at events and creating merchandise. How many Sentai heroes are youths, and probably resume studies? How many Sentai heroes are athletes aspiring for the Olympics, who probably had their dreams crushed by abandoning their sport to devote the time to protecting lives? How many Sentai heroes already had jobs that benefited their communities, like teacher or cop, which they picked up after their Sentai duties?

Sentai heroes make sacrifices and aren't any less heroic than other toku heroes.

Saturday, June 13, 2015

A Journey Through the Sentai OPs


Well, I had originally wanted to talk about what I thought were the best Super Sentai opening credits sequences, but thought I'd just combine it with brief thoughts about the songs, as well, and cover them all. There was a time where I would regularly watch those special compilations Toei would release of the credit sequences -- they're entertaining and when they're done well, they're nice little snippets reflecting our favorite shows. I feel like toku credits can be a little unappreciated. So here we go!

1) "Susume! Goranger" by Isao Sasaki and Mitsuko Horie

Like the show itself, it's kind of hard to hate this song, even if it isn't quite a favorite -- it's the first, it's weird, it's different from the others. But it's not quite favorites material, is it? I don't mind the song, but I'm not like "Oh, yeah, Goranger!" when I hear it. There are some songs out there that I can listen to twice in a row -- this ain't one of 'em. The credit sequence is pretty standard, in that '70s spy kind of way, but it works considering the show's premise. The lyrics are pretty bizarre -- written by Ishinomori himself, who always just likes to talk about colors. But unlike his Kamen Rider lyrics, the overuse of the color adjectives is appropriate for Sentai, of course.

2) "JAKQ Dengeki Tai" by Isao Sasaki

I remember when I first saw these credits, thinking they were so damn boring. All that shaky-cam car stuff eating up most of the credits' time. The song itself doesn't scream opening theme, but I like its funk, and it goes real well with the second, better half of the credits sequence, in which the JAKQ members frantically race through a crowd, obviously in search of Crime evildoers. These guys were supposed to be deadly, tough, serious investigators, dammit -- a robotic Impossible Missions Force.

Also, the second version of the credits that include Banba/Big One is a big improvement. You get a couple of cool shots with him, which requires all of that car stuff to be edited down a bit, which is a plus.

3) "Battle Fever J" by MoJo

Yeah, it's dated. Yeah, it has some goofy sound effects. But MoJo makes it a damn fun song, and for the first Sentai with a giant robot, it has this appropriate lyric -- "One by one we're small, but together we're invincible." Maybe not with Battle Fever, but a Sentai mecha is supposed to drive home the entire point of a Sentai team -- combining individual forces into one. We have loose, hip, pop-culture referencing spies in this one, and the credits choose to be more comedically tinged than the previous two, which is a shame.

4) "Ah! Denshi Sentai Denjiman" by Ken Narita

There's something I like about Ken Narita's voice, but I always thought this was just a strange song. The credit sequence is also a bit bizarre, starting the staple of showing the Red boxing for no real reason, having Yellow -- the super smart scientist -- drop a beaker and have it explode in his face like a dolt, having Green -- the super cool cop -- drop and roll on the ground like Emilio Estevez in Loaded Weapon 1. Weird thing is, unlike Battle Fever, I DON'T think these credits are meant to be all that humorous. If you keep in mind when this show was out, the effect of them running in super Denji speed is cool, but when thrown in with these credits, they become a further part of the weirdness.

5) "Taiyou Sentai Sunvulcan" by Akira Kushida

Don't like it. This song just does absolutely nothing for me. It's a really goofball sounding song to me, and it never matches the quickly paced fight scenes choreographed by Junji Yamaoka. And those lyrics, man -- "If there was no sun, the earth would be screwed -- YAY!" Huh? Credits again are just standard. Red flying a plane, which it seems like every Red has done in the credits at this point. Shark showing more life than he ever does in the show. Panther's creepy, blank, dead-eyed stare. Gratuitous bikini shot. Out of scale mecha.

The ONLY time I've EVER enjoyed this song is the Metal Brothers cover of it. (I miss liking Hironobu Kageyama and Masaaki Endou.)

6) "Dai Sentai Goggle V" by MoJo

MoJo returns! And it's...a rather forgettable song. Honestly, it took me ages before I could recognize this damn thing, it's as plain as an Ultraman song. (Don't ask me to play Name That Tune with an Ultraman song, because I'd lose.) The credit sequence is a bit of a cheat, making the team look cooler than they are -- they're jumping off cliffs, climbing mountains, flipping over explosions, dashing out of their base towards their duty! They left out the part where they're fighting bad guys who think it's a good plan to turn people into watermelons.

Up until this point, I pretty much like all of the ending credits and the ending themes more than the openings. But that begins to change with...

7) "Kagaku Sentai Dynaman" by MoJo

Takayuki Miyauchi tried out for this song, and as awesome as he is, MoJo needed it more. He needed an apology for Goggle V, and he delivers. This is pretty much the first fast paced Sentai theme, one that grabs you, one that's made to be played during fight scenes. No kids choirs, no "YAY!," no disco dancing -- just burning balls of fury. The extreme close up shots of cast members in the credits take down the coolness a bit (it's a bit Love Boat-y), but all of the action shots go well with the footage, letting you know just what it is that Dynaman does best -- staging great action scenes in the middle of fireballs.

8) "Choudenshi Bioman" by Takayuki Miyauchi

If I'm going to be honest? The Bioman theme bores me a bit. After Dynaman makes a good impression, Bioman kind of slips back into the early-80s of being a case where I like the ending theme more, and the OP theme is just slow and not good for battles. And how out of place is that xylophone? Miyauchi is putting his all into it, but don't expect less from him. However, I think pretty much every other one of his main toku themes are better than this one. (Kamen Rider Black RX's OP is his best theme, IMO. I always thought it was a shame that such a wretched show had such great music, from songs to BGM.)

There's nothing much to say about the credits themselves; not much in-suit stuff, just the Bioman posing, most of the credits focusing on mecha. The cast shots are weird, with the heroes doing mostly "sporty" things and then just smiling. Jun is the ONLY one who's not smiling like she's on something. No wonder she's the coolest one on the team, eh?

9) "Dengeki Sentai Changeman" by Hironobu KAGEyama

What do you think I think about this song? I love it, of course. It's the first Sentai theme that wants to be a bit more of its time, hence them choosing popular idol Kageyama, hence always advertising the soundtrack as "with a rock beat!" Kageyama's predecessors were particular kinds of performers, older guys associated with older, loungier style, but Kageyama was a young guy who was still pretty popular -- his boy band turned rock band Lazy was broken up, but he was just setting out on a solo career. I think you can hear the difference between Changeman and its predecessors in the track -- crazy guitar intro to wake you up after Bioman's theme!

And the opening credits are awesome, a condensed look into the team's pre-Changeman military life. The explosions of Dynaman! The shots of the team are all awesome, hard-ass and serious -- no smiling or thumbs-up or winking or peace signs: choppers, machine guns, hand guns, grenades, more guns, knives, THE COMMANDER WITH A MACHINE GUN! The lyrics might be talking about how love is their power, but these guys ain't messing around.

10) "Choushinsei Flashman" by Taku Kitahara

Kitahara's one of my favorites, but I always thought it was a shame how...SOFT he makes his voice on this song. It's always kept the song from being one of my absolute favorites. Because it has such a unique sound to it, some nice lyrics, but he sugar coats his voice. What I like about Kitahara, usually, is...he may not be the greatest technical singer, but he puts a lot of emotion into it, and I often find that preferable to singers who are good singers TECHNICALLY, but will have no life or emotion in their actual singing. (Think Adele.) So it's disappointing he's so reserved for an opening theme.

I remember always thinking the credits were cool when I was a kid -- the team in the dark, the shot with Rolling Vulcan, the Flash Hawks riding by. Sure, there's some of that smiling, thumbs-up stuff in the cast shots, but they kept it to the members who it actually suited, like Bun and Sara. Jin, Dai and Ruu all look appropriately kick-ass.

Shinichi Ishihara did a cover for this song that I haven't heard. Since Miyauchi does a couple of insert songs for Flashman, I always wondered if he would have sang the main themes if not for Kitahara. And then Miyauchi covered the Flashman opening at a Brazilian concert several years ago and it was pretty cool. I'd like a studio version of that, dammit! (I think that might be a future post: covers and studio versions of toku and anime songs that Shougo would like to be made.)

11) "Hikari Sentai Maskman" by Hironobu Kageyama

This is probably my favorite Sentai opening theme. It has a fast, fight-appropriate sound to it, yet it has some nice lyrics, and lyrics that match the show well, not only the usual "heiwa mamoru" stuff, and yet it works when it should probably clash. And Kageyama's really singing his ass off here, he's putting such emotion into it. He's still really young sounding and reserved on a lot of the Changeman soundtrack, but you can hear the Kageyama -- from the good years -- we all know coming through here.

The credit sequence could have used more action shots, IMO, but I always liked the parts with the cast and the meditation hand gestures.

12) "Choujuu Sentai Liveman" by Daisuke Shima

Daisuke Shima was a well-established and popular singer by the time he did Liveman -- initially he had the image of a rocker, but tried to remake himself as a ballad singer. So, for Liveman's upbeat, new-wavey OP (and ED), he's a little out of his element, but I still love this song. (I've killed it, but I remember how much I loved it.)

The credit sequence, though, is one of my favorites, especially the prologue that spells out Liveman's backstory. Then shots of our cast, in rare moments of fun for 'em. While the prologue is kept, the credits are changed once Black Dumb and Green Dumber join the show, never really flowing as well with the song. (Which is a problem with too many credit sequences that will change every time the show gets a new member or mecha or Bandai toy.) The ending credits sequence suffers more, but maybe that's for a different post.

With Kouji Kaya singing pretty much every other song on the soundtrack, I've wondered if he would have done the main themes if not for Shima. That would have kind of sucked, IMO, that guy's just pretty generic sounding, while Shima has character to his voice and is pretty distinctive.

13) "Kousoku Sentai Turboranger" by Kenta Satou

An awesome song, an extremely catchy song, a super-80s song, all belted out with Satou's strong enthusiasm. It's one of my favorites, I like some of the lyrics, but the credits seem a little last minute. The cast shots look like they were taken at the Japanese equivalent of Sears Portrait Studio, and the rest is just mecha filler. Such a cool song deserved better. (On a sidenote, the Turboranger soundtrack is one of my favorites. Changeman's and Turboranger's song collections are the only ones where I can pretty much listen to every song, even if I pop 'em in intending to just listen to a couple.)

When I recently rewatched Turboranger, I noticed an episode plays the song "Birthday Song" by the band TOMCAT, and that got me wondering what it would have been like if TOMCAT had done the Turboranger OP. Pretty awesome, I'm guessing, but Satou's good enough. (If TOMCAT had done the OP, it wouldn't be the OP as we know it -- one of the awesome things about that band is that TOM writes all of her own lyrics and music.)

14) "Chikyuu Sentai Fiveman" by Kenji Suzuki

The song itself is middle of the road for me. Suzuki's vocals are pleasant, and some of the lyrics are nice ("Guard with love your cherished ones, and the future of your cherished ones.") but it's a pretty low-key song. And the credits are a Goggle V situation in that it makes the show, particularly the heroes, look way cooler than they are. How about that shot of Gaku/Red practicing kendo in a blizzard? Fumiya karateing it up by crashing waves? Or Remi unleashing some crazy kung-fu? Or Blue and Red on that hovercraft that NEVER APPEARED IN THE SHOW! Fiveman was a mess of a show that blended elements from every Sentai before it -- it never knew what it wanted to do, what it wanted to be, and that's proven even in their credit sequence.

15) "Choujin Sentai Jetman" by Hironobu Kageyama

Don't like it. Never did. Not once did I listen to this song and think "Cool!" or "I'd like to listen to that again!" It's way too soft, goofy, sappy, wussy for the show that Jetman thought it was. And it's the Sentai song that Kageyama ALWAYS performs, it's tiresome and the Jetman themes are probably the most lackluster of any Sentai song he's sung. (Yes, that includes the ear-harming "Dino Guts Never Stop.") I mean, Kageyama's doing a great job here, but it's kind of a lost cause. And if I'm being honest: the first time I heard this song, I thought it was a woman singing it. Imagine my surprise when I found out it was the Changeman/Maskman dude.

The credits are also a bit hokey for the SERIOUS DORAMAAAAA Jetman thought it was. They're all so happy -- even Gai! What the hell's that about? And you got their stewardess saluting them as they skywrite their names with bad special effects and they're flying around together and it's all so sappy and diabetes and Gatchaman's on line one to sue your birdballs.

16) "Kyoryu Sentai Zyuranger" by Kenta Satou

Poor Kenta Satou. While he brings a lot of energy to this song, it doesn't really do him justice. But it was still a hit. He won a Gold Disc award for it. The song doesn't really do much for me, but then I HATE this show, so that doesn't help.

The credits try to have some neat action shots, but what's up with those cast shots? They all seemed so dead-eyed in them. Goushi looks like he doesn't know where he is, Tricera looks stoned, Tiger looks like he regrets doing the backflip and Mei is the walking dead.

17) "Gosei Sentai Dairanger" by NEW JACK Takurou

We all know how crazy fast paced and kinetic Dairanger can be, right? How just jam-packed with kung-fu action it is. NEW JACK gives it his all, and it's a really cool song, but...these credits, man. All of them just happily riding a bike? Why, because of the China theme? C'mon! The credits are so underwhelming they had to resort to sticking shots from the episodes in 'em. That kinda ended up helping, but, still...

18) "Secret Kakuranger" by Tou Chi Chien fake name

I like this song, but I always thought it was too mellow. It doesn't reflect the fun, crazy spirit of this show, and it doesn't reflect comic book ninja action, either. Add to that Chien's sleepy vocals and you get a song that's easy to doze off to. It has nice music, but I just don't think it's opening material.

I like the credit sequence, though. How cool's it when they drop down in front of the moon? Or show off their ninja moves? The song's not bad, but it needed to match the credits and reflect the show more, IMO. There's a time and place for slow themes, but Kakuranger certainly wasn't one of them. (Metalder, on the hand, IS appropriate for a slow theme.) And what's weird about the song is that, musically it's slower, but the lyrics are pretty WTF, they're not trying to be flowery or poetic the way the usual slower toku theme, like Metalder or Blue Swat or Changerion's will try.

19) "Ole! Ohranger" by Kentarou Hayami

The lyrics are so generic they could only be written by Saburou Hatte...and, hey, they are! The song has a nice, fast pace to it, and SOUNDS like it should be a good opening, and Hayami's putting a lot into it, trying to sell it as a good opening, but it's all sleight of hand, because it's just kind of generic to me.

The action shots in the credits, courtesy of Junji Yamaoka returning to Sentai after leaving early into Maskman's run, are AWESOME, from start to finish. I want to watch THAT Ohranger show. But you know what's not awesome? The bizarre way they did the cast shots. Goofy smiles and split screens. The Ohranger cast is pretty cool and it's a disservice to them and Yamaoka's awesome action shots. You coulda been a contender, Ohranger.

20) "Gekisou Sentai Carranger" by Naritaka Takayama

Fun, crazy song that perfectly captures the spirit of the show with goofball lyrics to match. As for the credit sequence...the first one is just kind of dull, but the second one is perfect with the way they get in all of the character bits, having the heroes pose next to their suit actors, too. Sad thing is? The second one is ruined by the use of the Full Accel version of the theme, which is slowed down and given a hideous tin can effect and takes a lot of the fun oomph and energy out of the song.


21) "Denji Sentai Megaranger" by Naoto Fuuga

An appropriately of its time, youthful, vibrant song and performance by Fuuga which suits the show, as well as a great credits sequence that captures the personalities of our cast and has a lot of cool in-suit shots. It's a rare show that changes the credits sequence halfway through, but keeps the quality -- maybe even exceeds the original credits.

22) "Seijuu Sentai Gingaman" by Ryu Kisami/Masato Shimon

It's anisong sacrilege, but I've never really liked Shimon's style and I think he clashes with a lot of the music he's given. His voice is totally nails on a chalkboard to me, and I don't understand why he was given every classic anisong back in the day. But I liked his work in Gingaman, I don't know if it's his voice maturing by Gingaman or if it's just the strength of the song. Probably the latter, because the Toshihiko Sahashi-composed song is AWESOME. I love the composition of this song, especially the instrumental bridge that's used to awesome effect in Ginga Red's fight in the first episode. Still, both the OP and ED would be even better if someone like MoJo or Takayuki Miyauchi was singing it.

The credits sequence itself is cool as far as the costumed portions are concerned, but the awkward cast moments take them down a notch for me. Those bizarre effects when they're showing off their Earth powers were odd looking even in 1998. But the running through the forest, the jumping in front of the explosion, stomping on the reflection of Balban's flag, the cool henshin sequence -- good stuff.

23) "Kyukyu Sentai GoGoFive" by Shinichi "Da Man" Ishihara

Ishihara's long been one of my favorite singers, of not just toku songs or anisongs, but just period. He has such a strong voice, can fit mostly any genre, and just consistently hits the songs he's given out of the park, even if it's a crummy 30 second Bandai jingle. (His song for the Geki Touja commercial is a better song than most mecha songs in the last several years.) And he doesn't disappoint with this song, which is as serious and urgent as the rescue workers of the show are. It's a BIG sounding song to match the BIG, BIG hazards of the show, the cinematic-seeming situations the show tried to pull off. And the credits rock, showing our heroes in their perilous non-superhero work, but also featuring some nifty in-suit shots of them in action (jumping through fire, fighting through grunts).

GoGoFive has been accused of not having enough fanciful action, and it's understandable if people see these credits and feel disappointed by the show's low key action style. GoGoFive's action was always meant to highlight the danger of the situation and reflect that these guys weren't karate masters, and not showcasing some fancy wire-fu stuff, which would have been out of place.

24) "JIKU ~ Mirai Sentai Timeranger ~" by Kumi Sasaki

One of the few things I like about Timeranger is its opening theme. Sasaki has a powerful voice that knocks you back and she just kills with this song. (Like Fuuga, I'd like for Sasaki to be given some new Sentai material.) The composition, with the faux organ, is pretty unique. But the credits, man...they want to be really cool and Matrix-y, but they're just odd. There's those up-the-nostril shots of the cast, and then the cast running at strange speeds, and then those slow-mo-make-boringly-choreographed-action-look-cooler-than-it-is action shots. But the worst? The shots of the cast in their tighty grayies. I still can't stand those pajamas the Timeranger wear under their clothes. The Space Sheriffs pulled that off better, but in Timeranger it just looked dopey to me.

25) "Gaoranger, Hoero!" by Yukio Yamagata

Ishihara tried out for this song, and he would have been awesome, but Yamagata's the perfect match. He's The Ghost Who Walks, summoning the power of ten lions to growl this thing out. I've always said that it's a cooler, more kick-ass song than those happy, tree-hugging Gaoranger deserved. The credits, too, make the team more impressive and cool looking than they are, it's a rip-off.

26) "Hurricaneger, Sanjou" by Hideaki Takatori

This one's difficult for me. I literally hate mostly everything about Hurricaneger, but I like this song, and I'm a big fan of Takatori's. He has unique vocals and always put such an energy in his performance that he can make the dopiest theme sound kick-ass, but it's REALLY strange to listen to this song after hearing so much of his newer stuff: Takatori has always had a quirky singing style that he eventually really let loose with, but he's just really restrained and quiet on this track, it's a bit shocking to relisten to it.

And the credits sequence is even cool, I don't know how the show pulled that off considering the Hurricaneger are one of the stupidest Sentai teams you'll find. My favorite bit is the earlier version of the credits which keep the Gouraiger in the shadows. But even in their individual shots, the Three Stooges themselves look cool. I...it's...I'm at a loss for words.

27) "Bakuryu Sentai Abaranger" by Masaaki Endou

The downfall of Sentai opening themes, in my opinion. I mean, it's a fun song, and Endou brings his usual craziness to it, but it's a Takafumi Iwasaki-composed song, and he uses the same tricks in all of the songs he composed and sort of set a standard for a certain sound to the songs that the soundtracks are STILL building from. (His songs basically go on too long, are too sugary sounding, and repeat themselves A LOT. This is when Sentai openings start pushing past four minutes on a regular basis and you just want 'em to STOP.)

I like the credits themselves, even though they have that odd frame-rate to 'em, and...I still don't understand that shit at the beginning with the three floating in gold, turning from kids into themselves or whatever the hell that's about. What is that!?!

28) "Tokusou Sentai Dekaranger" by Psychic Lover

These rat bastards. I know people go absolutely ape over this song and these guys, but I never liked it that much. I can't stand Psychic Lover, but this is probably their only listenable song, IMO. Yoffy has said that the musical director was a real hard-ass who made him keep redoing the song, and that guy or gal must have been the magic behind the song, this being Psychic Lover's only tolerable song and how...quiet Yoffy's vocals are. The difference in Yoffy's vocals is shocking. Usually he's like...Terrance and Philip, you know? He's just bellowing shit in a nasally high-pitch, with his head flapping off, but here, he's, like...SINGING. What a concept. They still bury him in a lot of effects and back-up vocals, though.

While I think the Dekaranger were supposed to be cooler than their show ended up making them look, the credits and song try to reflect that initial image: talk of chasing criminals down to the ends of the galaxy is too cool sounding for what the show gave us. I really like that shot in the beginning, during the narration, of the Dekaranger turning before the Earth, with an ominous shot of Aburera imposed over it.

29) "Mahou Sentai Magiranger" by Takafumi Iwasaki

Oh, boy. This song is just...too sparkly and soft-ass for an opening. I mean, that makes it a good match for the show, but...I can't stand this song and I can't stand Iwasaki's flat, squealy vocals. (My brother loves Iwasaki and would hate to read that. Sorry, only I'm not sorry.)

The funny thing is how in the narration, that guy is trying so hard to sell the team. "Magic! It's a holy power! MAGIC! It's the way to adventure! MAGIC!!! IT'S ALSO THE MARK OF COURAGE!" And then what do you get? "Go fight Mag-Mag-Magiranger" in that Chipette squeal. The team flying on brooms, looking dead-eyed past the camera, winking at the camera, throwing kisses to the camera. (And those are the guys on the team, HEYOOOOOOO.) The show thought it was being cool by bringing in Power Rangers' Koichi Sakamoto to do his usual over-the-top wire and explosion stuff, but I always thought it looked dopey and looked twice as dopey set to this music. "Tabidate!!!!!"

30) "Gougou Sentai Boukenger" by Nobuo "NoB" Yamada

I remember being pretty excited that Yamada, of Saint Seiya fame, was going to be doing a Sentai opening. There were rumors that Kageyama was going to be given the big anniversary theme, and Kageyama said he was offered it on his blog at the time, but went on to say he was happy that they got his pal Yamada instead. (I think Kageyama pretty much turned it down since '06 was around the time he decided to devote all of his time to the terrible JAM Project and the Lantis record label.)

NoB, the '80s hard rocker -- surely he'll give us a song that washes away the memories of Magiranger's music, right? Wrong! For NoB being a rocker stuck in the '80s, the music he composed keeps right in line with the millennium Sentai sound, right down to having a kid singing back-up. (Which turns out to be NoB's son.) You can tell Yamada was a mentor to Iwasaki, because this also has the blueprints of the Iwasaki style -- a too long and too repetitive song that eats its own tail.

I can't say I like this song too much, and I HATE the show, but...aside from the goofy, oddly out of synch, strange full body shots of the cast, I kind of like the rest of the credits. The stunt guys do a good job making the Boukenger look cooler than they ever appear in the series -- take a look at them standing in the middle of a fireball! Or Red fighting on that infamous bridge! Or Blue and Pink taking a crazy dive off a mountain into the sea! (That has to be a nightmare to dive into water in suit, especially from that height.)

31) "Juuken Sentai Gekiranger" by Takayoshi Tanimoto

I like the sound of the song -- which is surprising since it's an Iwasaki composition -- and the lyrics. Heck, it's one of the only modern songs featuring a kids choir that doesn't make you want to pour cement into your ears, but I don't really care for Tanimoto's style. The guy sounds like he's in pain when he sings, and I find it uncomfortable to listen to. But it still falls into the Iwasaki pattern of repeating itself too much and going on for longer than it should.

I really like the credits, though, from the coolly said narration to...the whole shebang. The cast looks cool, Rio and Mele actually look cool, there's some good action stuff (even the stuff shot by Power Rangers' Koichi Sakamoto, and I'm not a fan of his style). These are the most consistently awesome credits Sentai has done for a while.

32) "Engine Sentai Go-onger" by Hideyuki Takahashi

Takahashi just might be the Japanese William Hung. The credits are good enough for the show, which means freakin' embarrassingly corny. I remember slapping Taku Kitahara's song "Be Top" from the racing-themed anime Dash Yonkuro onto these credits and not only did it seem to work, but it actually improved the credits. (All I did was take out the shot of the so-called villains to get it to match.)

Next.

33) "Samurai Sentai Shinkenger" by Psychic Lover

Yoffy at his floppy-headed worst. I kind of like this song, but his vocals ruin it for me, just absolutely destroy the song. I also always thought this show was what I call Karate Kidded in that it's just a huge amalgam of Japanese cliches, which is surprising because it wasn't written by Hollywood white guys. Samurai and those funny brushes them Japanese like and kabuki and sushi and Mt. Fuji and BUSHIDO and origami! The song does a good job of reflecting that stereotyped side of the show.

The credits are meant to be a bit of a departure from Sentai's norm. I like the first half of them, but find the action stuff boring. These are samurai, man! You need to do better than have them just STANDING THERE in a mook attack. Shinkenger thought too often that it was enough to have their heroes just stand still and look "cool" rather than actually SHOW them doing cool stuff.

34) "Tensou Sentai Goseiger" by NoB

I didn't really like this song much at first -- I thought it was generic and that NoB's vocals were really subdued -- but it grew on me. It has a big sound to it, but the lyrics are about as generic as the show itself. Remember Sentai lyrics like "Your heart is a miraculous road through the cosmos, which love continuously travels"? That's from Maskman, and that's my clunky interpretation of it. 23 years later the lyrics we get? Lyrics that basically boil down to "WE'RE THE GOOD GUYS, OUR MISSION IS TO FIGHT THE BAD GUYS, GOSEIGER, GO!!!!" It's a seriously lazy song, almost on a Power Rangers-level. ("Go, Power Rangers! Go! Go, Rangers! Go!" -- every PR song ever.)

I do like the credits sequence, though. It goes for a Shinkenger kind of thing with the cast, but at least has some fancier action scenes.

35) "Kaizoku Sentai Gokaiger" by Tsuyoshi Matsubara

I shivered in fright when I read that Matsubara was doing a Sentai theme. He was the lead of Project DMM, where he was involved with several terrible Ultraman themes, and sounded like he was given birth by a helium balloon. He's a heck of a lot better on this song and his other Sentai songs and I want to know the difference. I mean, he's not exactly a favorite of mine, but I went from hating the guy to being like "Eh, he's OK."

The song kind of loses me in its too bouncy of a chorus, but I like what leads up to it, and I especially love the credits sequence -- the past Reds running past Marvelous, the journey through the old heroes until the camera finds the Gokaiger, the beach-side action shots, the fun little bits with the wanted posters. Like a nerd, I watched these credits a lot when the show was airing.

36) "Busters Ready Go!" and "Morphin'! Movin! Bustersship!" by Hideyuki Takahashi

I'm still kind of pissed that Takahashi's been given so many themes when he's such a bleh singer. He has more main Sentai themes than someone like Shinichi Ishihara or Kumi Sasaki and that ain't right! I'd probably like the first opening theme with a different singer, even though I still don't know why the countdown goes "4-2-3-1." The first opening credits are OK, I like those brief shots of the sunglasses-wearin' team with the digital junk flashing over them and the action in the second half of the credits that make the Busters look tough. (They even make Cheedah Nick look cool, dodging explosions.) But, geez, man, this was already a hard cast to like, so why give them those goofy shots -- Red with a dopey grin on his face, Blue going crosseyed and forcing a smile, Yellow washing her mecha like it's the most interesting thing a superhero can do. This is the best they can do?

Apparently so, because the second theme, which sounds like the most forgettable insert song ever, is worse, and the revamped credits are some of the least thought out of the franchise. You know how some of those early Heisei Kamen Riders thought they were being really experimental and artsy and cool with their credits, but they were mostly just cheap and looked like a local car dealership commercial? That's these credits. When superior credits are replaced by inferior credits and a bad song, it's called the "24.7 remix."

37) "Vamola! Kyoryuger" by Shougo Kamada

Oh, good, a Yoffy sound-alike that was handpicked by Yoffy. That's exactly what Sentai music needed! The song is torturously sugar rush happy, one of those noisy "Make it stop!" songs like JAM Project likes to do. I really can't stand those kids that randomly yell "Gaburincho!" and "Fire!" and turn the thing into a bad commercial jingle.

The credit sequence itself is pretty good for an anime. No, I seriously hate it. How can you not want to punch the cast in the face, especially Blue with his dumb "I'm so dopey" expression? Piss on these clowns.

38) "Ressha Sentai Tokkyuger" by Daiki Ise

If you have the strength to make it through the 47 "gos" at the start of the song, you'll find it to be an instantly forgettable song that seems like an ending theme to some bad '90s mecha anime nobody remembers. The funniest thing is the way the Japanese Wikipedia describes this song as "punk rock." Sure, it's punk rock, if the godfather of punk rock is Potsie Weber. On the brightside, the PV is (unintentionally) hilarious.

The credits themselves...they're such a nonsensical blur that I still can't even remember what really happens in them, other than that over-the-top anime jump Red does and a bunch of jump cuts. Bah. Oh, bwa-ha-ha, one of them trips each week at the explosion! HEY, GUYS, REMEMBER AKIBARANGER, AND HOW IT'S A BETTER SHOW?

39) "Saa Ike! Ninninger!" by Youhei Oonishi

I expected better music and a cooler song, what with it being composed by infix guitarist Akira Satou. I kind of like it after a few listens. But Oonishi's got some of that Tanimoto "sounds like he's hurting when he sings," making if uncomfortable for me as a listener.

The opening credits themselves are a mess. More traditional than Tokkyuger's, at least, but ripped off from a dozen of past credits. The wirey dance fight scenes don't look cool, the animated graphics are busy and fugly, and the cast portion are in that Magi/Bouken "Look awkward while doing stupid shit" style. So far Ninninger's been an incredibly generic show, and these opening credits really capture that. The new Fiveman?

Friday, June 5, 2015

Red Warriors


Someone asked me to talk about the Sentai Reds, like I did each sixth hero. I don't know if I can go through each color, but I gave the Reds a shot.

Good Reds are important. They're the star of the show, the pillar. A team's only as good as its Red and I feel like a Sentai show can only be as good as its Red. There are some great shows ruined by weak Reds -- whether it's a flimsy character or weak character -- and there are some bad shows that had a better Red than they should have, or a Red that managed to lift the bad show into something more tolerable.

What makes a good Red will probably depend on what generation of Sentai you're from. If you're a '70s or '80s fan, you like the serious, kick-ass, all-business, confident leader Reds. If you're a '90s fan, you might like the ordinary-Red-who's-equal-to-the-rest-of-the-team approach that that decade often had. If you're an '00s fan, you probably take to the hyper Reds who love to yell and be crazy.

And while you're reading this, keep thinking: what Red would you want to serve under? Imagine you're the new recruit on a Sentai team. Who would you want leading you? If you really think about it, I think you might be surprised by your answer, because it might not automatically be the Red of your favorite show. I came close to a surprising choice.


Tsuyoshi Kaijou/Aka Ranger

The OG. I think Kaijou is a good man to be the first Sentai Red, and I've always thought that actor Naoya Makoto never got the respect he deserved until Gokaiger. People always made a big deal about the first Rider, Hiroshi Fujioka, and the first Ultra, Susumu Kurobe, but Makoto -- despite being a journeyman actor in his own right, and a veteran of numerous popular cop dramas and even a toku vet by Goranger -- is always glossed over. Why?

Kaijou is a dependable leader, but I like that he has some flaws, and he has some ties to the villains in that they killed some family members. But being an episodic show of its time, being a show that depicted the heroes doing a JOB rather than showcasing their daily lives intertwined with their jobs, it's easy to kind of lose sight of all of what makes Kaijou tick. One interesting thing I always noticed about Makoto is that he kind of sometimes gets a kick out of roughing up some goons. Kaijou's not a guy you'd want to cross, man.

Gorou Sakurai/Spade Ace

I like Sakurai well enough as a character, I just always had a problem with actor Yoshitaka Tamba. I think he's just too young (at 21, he was one of the youngest Reds for a while) and he's stiff and bland. He also doesn't really have much authority, which is probably one of the big reasons they bring Banba in. Because once Hiroshi Miyauchi is in the show, he just overshadows everybody.

But Sakurai's interesting in that he's initially a bit snobbish and a little too perfect of an athlete and he turns Joker down for becoming a JAKQ member, but...he's touched by Karen's tragedy and ends up volunteering. He submits to die to become a hero, he volunteers for essentially the same procedures that Kamen Riders run away from. He's headed for success as an Olympic athlete, but throws it away to become a hero. THAT'S a dedicated hero. He should have been awesome, but...Tamba.

Masao Dan/Battle Japan

I've seen this guy get flak for seeming too bland, but what I like about him -- and the other Battle Fever members -- is that they take their jobs seriously, they're good soldiers, but they can cut loose, they can be playful. I wouldn't call Masao a goofball, but Battle Fever as a whole takes Goranger and makes it more fun and entertaining, IMO. Actor Kouki Tanioka gives Masao a calm, collected coolness. Masao's not quite as intense as Makoto could be as Kaijou, but he's still a reliable leader, and a dude you'd want on your team. Tanioka is also the oldest actor to play a Red, and it really helps. (The character is 27 -- which is still old by Sentai standards -- but Tanioka was actually 29 going on 30.)

Also: Kazuo Niibori really starts to kick ass beginning with Battle Fever J. While he played Aka Ranger in most of Goranger, the action was still done by the creaky Ono Ken Yukai. Niibori wasn't in JAKQ. (And, while the alternating Jun'ichi Haruta and Yoshinori Okamoto are awesome in their own right, Spade Ace lacked a strong presence in JAKQ.) But Niibori's back in the swing of things for BFJ, he's working with the JAC...his legendary reign really begins.

Ippei Akagi/Denji Red

I don't mind Akagi, but he's just pretty generic to me. It's like...I find everyone else on the team to be more interesting than he is. Niibori makes him awesome in suit, but...there's not much memorable about the guy himself. He's a karate master? I always thought Shin'ichi Yuuki was a weird casting choice, too. Maybe a different actor would have inspired better writing.

Ryuusuke Oowashi/Vul-Eagle

People dump on him for being wooden, but I remember liking Ryuusuke more than Takayuki. (It's probably mostly because I think the earlier episodes are better than the later ones, which get too damn goofy and odd.) He was supposed to be smart and formal, and I liked that he was an Air Force officer and supposed to be at home in the sky -- some might find it too cutesy, but fitting for an eagle warrior. Actor Ryuusuke Kawasaki had the look of a good, traditional hero, even if he wasn't the greatest actor (since he was a musician trying his hand at acting).

Takayuki's biggest contribution? Introducing the tradition of Red wielding a sword.

Takayuki Hiba/Vul-Eagle

Takayuki Godai's a likable guy, and they try like a sonuvabitch to get you to like him, but I feel like Hiba's biggest contribution was being a swordsman, which meant Niibori got to bust out his sword skills and give the Reds a long lasting tradition. There's a good episode later on with guest star Michirou Iida as a traitorous friend of Hiba's, but...

People like to criticize early Sentai for weak character development, and I don't agree with just dismissing the early characters like that. There's two important things to remember: the time these shows were made and the style they were made in. A LOT of '70s and early '80s tokusatsu shows basically treated the show like a cop show -- it was a new case every week that got wrapped up by episode's end. It's the characters' JOBS. A good show will get characters to shine through the routine trappings of their profession, but the episodic nature of a series was just the way television was made then. This was pre-VHS, a lot of studios were more occupied with the idea of welcoming new viewers, a show's livelihood depended on its ability to bring in new eyeballs. It doesn't make an older show any less valuable or a lesser work when compared to the popular serialized shows of modern television. That said, we need to talk about...

Ken'ichi Akama/Goggle Red

I've always made potshots about this guy and I feel I'm right to. I can't think of much to say about him, and actor Ryouji Akagi is a ZOMBIE. He's really just one of the least charismatic actors I can think of. And...the books, the texts will have an interesting take on Ken'ichi, that his mountaineer/adventurous side fuels his risk taking as a hero, but I don't feel like the show ever puts that to use, it's just background info found in the books. He's just a really generic dude, and he fell ass backwards into becoming a Goggle V member, like, "Oh, you just HAPPENED to be climbing this mountain as all this stuff goes down -- you might be a good Goggle Red! Maybe my computer will agree!" Bah!

Niibori saves the day, though. Goggle Red at least kicks ass in suit.

Hokuto Dan/Dyna Red

Dan represents to me the end of an era. He's the last aw-shucks do-gooder Red who is a stand-up guy and smart and a MASTER OF EVERY MARTIAL ART KNOWN TO MAN. That was really the trademark of these early Reds -- they just HAD to be a master of every martial art. The way those '70s Riders had be to scientific geniuses, no matter what their profession, the early Reds had to be martial arts masters or sports wizards.

Like with Denjiman, I think I like every other Dynaman member more than Red. But unlike Akagi, I do at least like Dan and feel like he has some personality. Actor Satoshi Okita is likable enough, but the show kind of wants Dan to be EVERY Red that preceded him. He's the martial arts master, and he's smart and decisive, AND he's strong and determined, AND he's also soft and loves kids, AND he's an ace with machines, AND also a skilled swordsman. He's just, like...a Game Genie of Reds. It's all of those things thrown into the mix that makes him stand out more from someone like Akagi, but it's that he's such a mix that kind of makes him sink into the background in a show where the other heroes are stronger or more defined and played by the likes of Jun'ichi Haruta and Sayoko Hagiwara. As much as I like Okita, a much more charismatic actor would have helped Dan take the center stage he should. Hiroshi Miyauchi -- he always plays guys who are just good at everything, you need someone like that for Dan. This guy just needs to be larger than life.

Niibori, of course, kills in-suit. Dyna Red's awesome in suit.

Shirou Gou/Red One

For a while there, Gou was a real Red favorite of the Japanese fans. I mean, after Aka Ranger and the second Vul-Eagle, I feel like Red One is the next Red they put on that high of a pedestal.

Writer Hirohisa Soda was getting more comfortable as captain of the Sentai ship by Bioman, and Gou's the first one to start moving in another direction. I feel like he's a real '80s action movie kind of Red, just a stern, macho ass-kicker, but always in control in terms of calling the shots. Actor Ryousuke Sakamoto sometimes reminds me of Sonny Chiba -- I have to wonder if his casting was some kind of fantasy casting, like "Wouldn't it have been awesome if Chiba had played a Red?" Of course it would have been awesome, but he was too big of a celebrity and a little too old by the time Sentai took off, so here's a kind of glimpse with this guy who bears a resemblance to him.

And what helps Gou stand out from his predecessors is that he's the first Red in quite a while to be given a personal beef, when his scientist father starts to get wrapped up in the fight with Gear. Designer Yutaka Izubuchi has a sketch for the series of Gou's brother, a cyborg who works for Gear, and I don't know if that's an idea that was being kicked around at Toei or just some crazy doodle of Izubuchi's, but that would have been an interesting development for the series, giving Gou even MORE conflict.

My favorite Reds.

Hiryu Tsurugi/Change Dragon

My favorite, of course. Stars were aligning with Changeman, I just think it was a great cross of writing, directing, acting. I think the five actors all made their characters pop even more than the way they had been written on the page. Tsurugi actor Haruki Hamada's theater training gave him a discipline to just dive in and look for every way to explore the character. And I think Hamada's training plus his youth -- he was one of the younger Red actors at the time -- helped in making Tsurugi more of a distinct Red. He made a Red who wasn't perfect.

Tsurugi wasn't a super genius or a master of every martial art. He was a regular Air Force officer. He has good aim, he's good with guns, good at baseball. He didn't always have the answers, he could be impulsive, he could argue with colleagues, he could have a temper. I don't think there's any questioning what a good leader he is, he's a skilled fighter you'd want on your team, but I like that he has some flaws, I like that he can be more intense than the prior Reds. Gou only showed glimpses of intensity or rage, especially in later episodes, but it's a regular thing with Tsurugi.

Jin/Red Flash

In a lot of ways, Flashman kind of just coasts on Changeman's success. There are A LOT of similarities between the two series. I've often said that the Flashman team were mild or lightened versions of the Changeman heroes. The team is set up in the same way -- leader Red, womanizing action guy Black/Green, immature/kid Blue, smart White/Yellow, action-y Pink. Considering the Flashman's situation, they're surprisingly cheerful -- even more cheerful than the Changeman team. They're all so relatively chill, it's weird. Anyway, the biggest diversion is probably from Tsurugi to Jin. Jin is more mellow, Jin IS a guy who the rest of the team never had to question. But he has his scars and can get down and dirty in a fight. He's the oldest member of the team, he remembers the most of Earth, and is a surrogate big brother to the rest.

Confessional: when I was a kid, Jin was my favorite. I have foggy memories of playing as Jin, and of having a black and white striped shirt that I thought was like Jin's.

Takeru/Red Mask

I feel like Takeru might be the first kind of "normal" guy Red. But I think that's the way Maskman is in general, I always thought that after the sweeping space shows, that franchise producer Takeyuki Suzuki and writer Hirohisa Soda wanted to ground Maskman more. This was the first in what books have classified as the "youth drama" Sentai shows (the others being Liveman and Turboranger), so I think it was also trying to appeal to a lot of the non-genre, regular viewers that shows like Bioman, Changeman and Flashman had attracted.

Even if they weren't professional soldiers, like in Denjiman or Flashman, the heroes behaved as if they were. There's more of a looseness in Maskman, you get a sense of the heroes being sort of average folks, acting their age, that they all get along and are friends even outside of their heroic duties. But the great thing about Maskman is Takeru's motivation being to get Mio back. And that his love for Mio brings all kinds of problems, from interfering with his focus on leading the team to rivalries with Igam and the jealous Kiros. It's not just a duty he's fulfilling to Chief Sugata, but it's a very personal journey for him. Whereas Jin told the other Flashman to put their families on the backburner and to take care of Mess, Takeru can't let go of Mio that easily.

And Ryousuke Kaizu is a great actor. I think a lot of later toku stars try to imitate him, but they never come close. He's really overlooked.

Yuusuke Amamiya/Red Falcon

Yuusuke's on Tsurugi's tail for my favorite Red. I think he's just such a fresh, fun and cool character and that casting Daisuke Shima was a bit of luck.

Daisuke Shima, of course, had been a pretty established singer-turned-actor. His claim to fame was this bad-boy biker punk image, he ran in the same circles as rock band the Crazy Rider Yokohama Ginbae Rolling Special. Quite a few of his first acting roles was as just biker punks, but by the late '80s, he was trying to transition into a softer, balladeer type. But it was kind of hard for him to shake that initial image, which is one of the reasons he was cast as Liveman -- to be a new type of Red -- yet at the same time, one of Shima's reasons for taking Liveman was to gain a new image.

You can see how different Yuusuke is early on. He's a smart-ass. He can have a bit of a bad attitude. He's the first Red that's a smart-ass like that. Viewers often label him a goofball, but he's not a goofball at all. He can have fun, but he can certainly get serious when the time calls for it. He and Jou are two lower-ranking students at the school, but he's not stupid, and you see Yuusuke grow into a more and more dependable leader as the series goes on. (And it's not like he was even an unreliable leader, but he drops the attitude and becomes a better fighter.) Becoming a more traditional hero, Shima did get the image change he wanted, being able to abandon his music career to focus full-time in acting gigs in a variety of roles.

It was especially cool for Yuusuke to return in Gaoranger VS Super Sentai, all of the loss and tragedy he experienced turning him into a solemn man. Even Kazuo Niibori recognizes the power of the character, coming out of retirement just to play him in-suit again. When you have the Niibori Seal of Approval, you're a damn good Red.

Oh, and remember how I mentioned that background info on Akama that never appeared on the show? Because of Shima's rock-n-roll background, a lot of the initial Liveman publications made mention of Yuusuke's supposed love for rock-n-roll, something that was never indicated in the actual series. Those little lost details can be weird.

Riki Honoo/Red Turbo

Riki's awesome. A lot of that is to do with Kenta Satou. I can imagine longtime Sentai fans at the time being afraid of high school heroes -- the youngest Sentai team yet -- but the five Turboranger aren't annoying, and Kenta especially really just gives his all and wants to make Riki the best he can.

Riki has some lightheartedness, but make no mistake -- he's as rough as they come. There's so many awesome Riki moments throughout the series, like when he was beaten to the brink of death, but perservered to save the others when they were turning into monsters, or when he single-handedly killed Emperor Ragorn. There's his determination to save Sayoko that brought about the game-changing alliance with her and Nagareboshi. There's all those damn awesome songs he sings on the soundtrack...

He's a great Red in an underrated show.

Gaku Hoshikawa/Five Red

Fiveman's a generic mishmash of a show and Gaku is a generic Red. I like actor Toshiya Fuji and wish he was in a better show, with better material to work with. (He's one of many on my list of "Would have made better Red Hawks than Terrible Koutarou Tanaka.") I don't have a whole hell of a lot to say about Gaku. He has some cool moments, like that face-off with Garoa in episode whatever. But he also has a lot of crappy moments, like grimacing through his performance of his theme song, being afraid of carnival ghosts, getting killed in such a lame way that Kazumi has to defect to Zone and travel back in time to save him. Bah.


Ryuu Tendou/Red Hawk

Oh, boy. I've always said that Ryuu is an awesome character on page. He's qualified to lead the team, he's a good soldier, he'll get the job done. Problem? The fact that the team he's leading isn't the team he was meant to lead. He was meant to lead soldiers, not the random grab of self-centered fart-faces he's handed. He has to deal with cloying rich girl, the pessimist boozer, the greedy teen, the preachy farmer. And there's also the fact that his missing/presumed dead girlfriend is constantly eating at him inside. SHE was supposed to be on the team, so leading this new fake Jetman team is most likely a constant reminder of her. He's optimistic, he's a traditional square-jawed hero through and through, but his personal pain and the people he's working with is tearing him apart, but he has to bury all of that and put on a professional mask.

He's an interesting character. He's a cool character. We all know Gai is cool, but Ryuu's cooler, because he calls Gai on his shit and always shows him up. Problem? Koutarou Tanaka is a horrendous, Play-doh faced robot of an actor and he doesn't connect with ANY of the material, ANY of his cast members, he doesn't grasp ANY of what it is that makes this character good. It's such a good character wasted on such a bad actor, it's infuriating. And he really wrecks a lot of Jetman. There was a time where Jetman was one of my top three favorite Sentai shows. I never liked Tanaka much, but it wasn't until I was a little older that I realized just how bad he was and how much he actually holds the show back and how it's a poorer show by just his presence. An actor who knew what they were doing, got the material, and had presence and charisma would have changed the show entirely. But Keita Amemiya likes picking bland leads who can't act, so...we get Koutarou Tanaka, we get the CGI kid who played GARO, we get the alien who played Hakaider, the statue that played Iria in Zeiram. A shame.

Geki/Tyranno Ranger

It's a bit of the Gaku Syndrome here. Geki's just pretty generic, and actor Yuuta Mochizuki deserved more. (And, yes, he's another one who would have been a better Red Hawk.) Mochizuki is the first JAC actor to play a Red! (AND a Rider.) This guy should be a toku legend, but he can't, because he's stuck with weak material. As hard as that first episode tries to give him a cool entrance, it wheezes. Geki's just kind of there, and then once Burai comes along, he becomes one note. "Nii-san!" -- every Geki line post episode 17.

I actually like Jason more than Geki. (I'm not kidding or exaggerating. Jason's the only PR Red I think that's as good as a Sentai Red.)

Geki versus Jason: place your bets.

Ryou/Ryuu Ranger

Keiichi Wada's an incredibly likable guy -- even if one of the hammiest actors you ever wanted to see. (The whole Dairanger team is real hammy, actually. People who say the Changeman cast overact never watched Dairanger. Daigo alone is forty-five hammy actors rolled into one.) Wada's the last action hero of tokusatsu. But I've always thought that if you take away the episodes with Jin, Ryou is actually one of the more forgettable Reds. The Jin episodes are his brightest spots, and those are the episodes that inform the character from then on. So, essentially, he's pretty much just there for the first half of the series. It's a character who gets by pretty much entirely on the actor's natural ability as well as crazy talented suit actor Naoki Oofuji's abilities.

Sasuke/Ninja Red

A fun guy, actor Teruaki Ogawa really goes to town with the role. I like when he has his moments of seriousness, but I kind of wish they had someone other than Seiji Takaiwa playing Ninja Red in suit. Takaiwa shines in Rider, but I don't like many of his Sentai performances, and he just has such a strange body language as Sasuke, that when he DOES have one of those serious, intense battles, he just looks awkward.

Gorou Hoshino/Oh Red

These poor guys. I really like the Ohranger cast, but they're stuck in such a terrible, terrible show. And for as good as the cast is, their characters are flat. Actor Masaru Shishido is kind of the last real traditional Red, the All Japanese hero who you can always count on, a total pro. Red's get real schizo after this.


Kyousuke Jinnai/Red Racer

I'd first like to say that...I liked Carranger before it was cool. There was a time in the fandom, when the show was newer, where I was only, like, one of four fans of the show. Nobody else got it, they dismissed it was mindless, goofy fluff, the downfall and lowest point for Sentai, as bad as a Power Rangers show. Those of us who got it knew it wasn't dumb, that it was a pretty clever show. So, Kyousuke was always used as an example of what you don't want from a Red.

But Kyousuke's hilarious. Nobody on Carranger knows what they're doing, so they're basically equals. The show's upending what you expect from a tokusatsu show to the point where when Kyousuke IS made aware of the leader status of a Red, he goes fucking bonkers with it. Kyousuke believes in justice and all that, but not enough that he doesn't regret the fact that he blew off Zonette's romantic advances.

And actor Yuuji Kishi just nails this part, man. He's perfect. Can you imagine anyone else playing Kyousuke?


Kenta Date/Mega Red

I don't think I've ever talked about Kenta much, and he's actually one of my favorite Reds. There's something funny about him being the lazy, supposedly unreliable slacker when he's the only one who passed the test and should even be there. (Although, I do think INET's video-game application is pretty dumb. But, man, they really lucked out with the other four, eh? It could have been Jetman all over again.)

Part of me is really fond of Megaranger. I think the show's at its best when it's focused on the friendship and lives of the five. As much as I like Turboranger, that show didn't allow the heroes to act their age often. Megaranger definitely act their age. Unfortunately, I'll forget until it's too late in a rewatch the way the show just goes off the rails in terms of bringing in new mecha and focusing so much on freaking Yuusaku that it really loses a lot of the fun and charm that made it such a unique show in the first place. But even in some of the duller later episodes, Kenta will have a bright moment thanks to actor Kunihiko Ooshiba, who really saves the day a lot. A character that could have easily been grating is one of the more fun, endearing departures of the Red archetype.

Ryouma/Ginga Red

In retrospect, it was a funny time in the American fandom when Gingaman aired. Nobody really knew what to make of the show. What Kamen Rider fans thought of Hibiki was pretty much the way Gingaman was received -- people just thought it was weird as hell and ugly looking. The cast, Ryouma especially, was criticized for being too young and wimpy looking. (Which is funny when you look at how extra young they cast the shows nowadays.)

But I like Ryouma. He has an interesting dilemma in that he's not meant to be on the team, so he feels the pressure of that on his shoulders, while also trying to deal with taking over for his (presumed to be) dead brother AND coping with the loss of his Ginga Forest home, while trying to get used to life in the big city. I always thought Kazuki Maehara was a pretty good actor who never got enough credit; he's likable, but can certainly bring the fiery rage and emotion of a lion. Listen to his roars!

Matoi Tatsumi/Go Red

People like to give writer Junki Takegami flak, but he mostly always comes up with a fun group of heroes, and especially likes to make a certain kind of rambunctious Red who's always different from the norm. Matoi is similar in attitude to Kenta, but not as lackadaisical. He mouths off, has attitude. He's strong-headed AND bull-headed. He's the boss and he's not afraid to jump into any danger, whether as a fireman or demon-fighting superhero. While he can be a fired-up loudmouth punk, he's usually a pretty chill, normal guy. He'd be a fun guy to hang around.

Actor Ryuuichirou Nishioka is super likable in the role, and believable as the guy in suit.

Tatsuya Asami/Time Red

It was always hard for me to like Tatsuya because...well, not only do I not like Timeranger, but I can't stand actor Masaru Nagai. He's terrible, Power Rangers-level. His in-suit voiceovers are heinous. And he makes Tatsuya seem like way more of an idiotic goof than he's supposed to be. He's supposed to be this really likable bridge between the present and future and be a pillar uniting this team, and he just doesn't pull it off. But the rest of the cast doesn't help, either. This is a team that's supposed to grow to really love one another by the end of the series, but all of the actors are either stiff, bad or unlikable, so none of it ever gels.

As much as I dislike Power Rangers, I actually think Power Rangers Time Force does some things better than Timeranger. For one, the Tatsuya equivalent -- Wes/Red -- IS likable and believable as the glue of the team. Good actors are extremely rare in Power Rangers, but Jason Faunt has this natural, easygoing nature that really works in favor of the character, which essentially IS just Tatsuya, but take a gander at the difference a performer can make.

Kakeru Shishi/Gao Red

Some say that Super Sentai has been following the Gaoranger blueprint since its airing and popularity, and it's hard to argue with that. Gaoranger was the first to take on that anime mentality of having a collectible gimmick, which a lot of the series is devoted to scenarios of the characters just going around gathering up their latest toy. (Isn't that post-Pokemon anime in a nutshell? Heroes on a quest to collect toys. Gaoranger's episodes are called "quests.") It begins the fairly regular tradition of a Red who's overly enthusiastic, loud, who's lighthearted, who's the screw-up newb of the team, and yet still the leader. The one who dashes into danger without a thought of the consequences, yet comes out smelling like a rose.

Megaranger/GoGoFive write Junki Takegami stumbles a bit with Gaoranger -- the plots are routine and the characters aren't all that fleshed out. What few interesting, original ideas the show had -- like the Gaoranger being the latest in a long line of exorcists -- is really not even all that touched upon in favor of Gao Jewels and goofballery. But while the characters aren't the deepest, the main five are a really fun, enthusiastic group of actors who make the show enjoyable and make the characters pop more than they should.

Noboru Kaneko makes Shishi a fun and likable Red, even if he's shattering the image of the cool, responsible, authoriative Reds of yesterday. Kaneko's performance early on is a little rough, but he's a Sentai fan, and you can tell he's just loving his time in the role. I like that Shishi is an animal lover who can actually listen to animals -- it makes more sense of a dedicated veterinarian like Shishi to have that ability rather than Red One.

Yousuke Shiina/Hurricane Red

This rat bastard. It's no secret that Hurricaneger is one of my least favorite Sentai series, but I honestly can't recall a single noteworthy moment from Yousuke. And even if he had one, it would have been ruined by Shun Shioya's god-stinking-awful performance. The three Hurricaneger don't have any brains or personality between them, and their three actors are all equally atrocious and blank and have nothing going for them. (So I find it infuriating that they've returned so many times.)

And with Gaoranger, we've begun the reign of Hirofumi Fukuzawa as Red's suit actor, who's not a good suit ACTOR, so in this string of disappointing Reds we're about to encounter, you can't even rely on cool suit acting to save the character as someone like Niibori had done with the likes of Denji Red or Goggle Red.

Ryouga Hakua/AbaRed

Ryouga is one of those pseudo-Zen, brightly optimistic, hippie-type of characters that toku liked so well in the early '00s. Most of them are annoying, but Ryouga's the only one I really, really like other than Agito's Shouichi Tsugami.

Because Ryouga's not just an all-smiles hippie, he knows what's important, he knows what's at stake, he knows when it's time to throw down. He's raising his dead brother's niece as his own daughter, and juggling heroic duty along with the duty of parenthood is a completely new dilemma for a Sentai hero.

Ryouga's a fun and idiosyncratic guy who, like a Yuusuke Godai or Shouichi Tsugami, marches to his own beat, and it's something that actor Kouichirou Nishi just nails. Nishi's taken criticism for his acting, but I feel like some of his quirks work in favor of the character. (I remember reading that Nishi said he wanted the role on Abaranger so badly that he was just going to give up acting and be a comedian if he didn't get it. With what a fun, good-natured guy Ryouga was, coupled with the idea of Nishi maybe becoming a comedian makes it weird to see him pop up in toku as villains now.)

Banban Akaza/Deka Red

I spent a good portion of time on the forums talking about how much I hated Banban in 2004. Not much has changed on that front, and if I've gotten softer on him, it's only because of suckier Reds that have come since. But I still have no freaking idea what they were thinking when they cast Ryuji Sainei. I guess somebody thought all of the yelling would be funny for the "fireball" character, but they were sorely mistaken. There's SO many episodes -- especially early on -- that Sainei pretty much ruins with his terrible acting and yell-whining everything. I still think that Dekaranger was meant to be a cooler, slightly more serious show, but they had to switch things up once they cast the super young goofballs they did, Sainei especially.

Ban should be a fun character. He's the crazy renegade, the Martin Riggs. He's the guy who wipes his ass with the rule book and throws it at the enemy. He goes in, guns-ablazing, and doesn't stop. He's determined, he wants the bad guys to pay. But instead of Riggs, Sainei turns him into Jack Colt. His acting is so bad and so off that he makes the character a joke. Sainei's so goddamn loud, he makes the show at times hard to even listen to. For me, Ban's like Ryuu Tendou. He could have been -- should have been -- a really amazing character, one of the best in the franchise...but there are dozens of actors who would have been better, and who would have needed to be cast in order for that to happen.

Would seriously prefer a Chou Ninja Tai Inazuma series to Ninny-ger.

Kai Ozu/Magi Red

Magiranger annoyed the heck out of me when it aired, so I was pretty bothered by such a young punk playing a Red. I grew up with the '80s Reds, I want my Reds to be tough and cool and serious and kick ass. Not this screechy, self-absorbed brat.

I still don't really think much of Magiranger. I can see why it has the devoted fans it does, I can recognize the types of viewers it would appeal to, but I thought it was too bright and silly and repetitive and soft. I thought the show did well in terms of world building and establishing the past battle between Magitopia and the Infelshia -- and I think that would have been a more interesting show -- but I just couldn't get into the Disneyfied, spell of the week shenanigans.

But I did grow to like Kai as the show went on. He had some funny moments (I especially liked the body-switch episodes), and as actor Atsushi Hashimoto grew, he became less grating. (I also liked Hashimoto in Chou Ninja Tai Inazuma and when he returned as Kai in Gokaiger.) I think getting Seiji Takaiwa as Magi Red's suit actor was a HUGE mistake, though. Emphasis on huge -- because there's no way that you can buy that tiny little Hashimoto becomes Takaiwa.

Satoru "Cheefoo" Akashi/Bouken Red

This bastard. Much was made in the press details about a return of the serious Red and blah blah blah. Actor Mitsuomi Takahashi at least looked the part, he looked more serious and old-school than most of the other '00s Reds. Don't judge a book by its cover, because the writing might be shit! If it's written by Shou Aikawa, which Boukenger is, then it IS shit, Austin.

Boukenger's premise is weak. I never really understood how "adventuring" could have sustained an entire series. That requires a scope and imagination and budget that Toei had no intention of using. Akashi himself is a complete and unlikable tool, and the writing is so bad that his character's just all over the place, making him look insane. Early on, he's upset that the Jaryuu sacrficed some of their comrades, or he places himself in danger by using an untested Bouken Vehicle in order to rescue the others. A few episodes later, he's faking his death and endangering the others just to have a "funner adventure!!111!!!" His past which haunts him, that his treasure-hunter buddies who died on a mission as a result of a booby-trap he set off, was just baloney; it wasn't the reason he became a hero, as he had claimed. Instead, he reveals he became a hero not to save people, but "for funner adventurez!!!11!!!!"

Akashi, who was supposed to be serious, also inexplicably becomes the butt of every joke for the second half of the series. Whenever anyone on the internet mentions how awesome they think "Cheefoo" is, the very first image that pops into mind is when he becomes a goldfish. Or when he turns back from being a goldfish and is flopping around on the cement, but he tries to get up all calmly and coolly. It's not funny, it's dumb. Like most of Boukenger.

Yet, fans still fall for the "Akashi is cool and serious" bullshit. Even the Japanese fans love him.

Take a good look. Akashi sucks. He's garbage, pal.

Aka Red

I think it's a cool idea to have a Red who's meant to embody all of the Reds and Super Sentai Spirit and all of that, but I didn't like him in Boukenger for two reasons: One, it seemed to me like a cop-out for a "Dream Team," like whoever they wanted in the movie turned them down, and Aka Red was a last minute idea. Secondly, I've never liked voice actor Toru Furuya. He's always given these cool roles, but he turns every character into a whiny brat. He's never cool. I always thought Aka Red should have been given an identity, and been played by Kazuo Niibori. Or, at the very least, get Niibori to voice him.

I liked Gokaiger trying to tie Aka Red into everything, though. It was surprising that they remembered him. I ended up liking him more in Gokaiger, but it's still a case of me liking the idea of the character more than the way he ended up being executed.


Jan Kandou/Geki Red

Jan's always been polarizing. You love him or hate his frigging guts. Thanks to the enthusiasm of his actor -- a self-admitted Sentai fan -- Hiroki Suzuki, I took a liking to Jan. The character can be dumb, but I thought Suzuki made him funny and likable. I do think the show should have had Jan become more serious, more civilized halfway through, but they mostly keep him the same. The problem is that it always seemed to me like Suzuki's enthusiasm wavered, so by the time they get to episodes where they're giving Jan dramatic storylines and Suzuki is required to be more serious, it doesn't always hit the mark, because Suzuki seems to have checked out.

Note to Banban: THIS is a fireball Red. Man, how fun would Dekaranger have been if Furuhara played Ban?

Sousuke Esumi/Go-on Red

The lowest point (so far) for writer Junki Takegami. I think he's trying really hard to just make another lighthearted, fun group of heroes like in Gaoranger, but Go-onger's premise and world is just too stupid. The bad guys aren't threatening, the heroes are so moronic that they don't even care about their surroundings. It's just...stupidity and chillaxing on both sides.

It's a weak and empty show, but I liked Sousuke. Yasuhisa Furuhara -- another fan of the franchise -- seems like he has a blast. Even though he's not the greatest actor -- he makes some bizarre choices that are funny on their own -- he makes up for it with pure zest, and he's an actor who I actually wouldn't mind returning for a toku show at some point. Sousuke was the first wise-ass Red since Matoi, someone who took great pleasure in sticking it to the bad guys. I thought he was even funny in Gokaiger, and I was pretty pissed at the time because they were giving Go-onger two freaking episodes.

Takeru "Tono!" Shiba/Shinken Red

After Go-onger spent an entire year in Stupidville, the previews of Shinkenger were promising. Finally, a samurai Sentai! Finally, a new Red who didn't look like a coked-up dolt! I was really into Shinkenger for its first dozen episodes, was disillusioned when it stalled midway through, but thought it got itself back on track by the end.

Shiba was a nice change of pace from the yelling hotheads that were many-a '00s Reds. He was a pro, he knew his shit, he was the TONOOOOOOOOOOOOOO! This is a character who could have easily been an unlikable shithead like a Souji Tendou or Tsukasa Kadoya -- someone who's always rubbing in your face how awesome they are -- but writer Yasuko Kobayashi was actually smart enough to not go that route. Shiba's business, he expects you to hold your own, but you don't need to brown-nose him, he's not into the TONOOOOOOOOOOOO crap. He's a completely reliable leader...

But then you find out he's just the kagemusha. Which I do think was a cool idea, a good twist. I just don't like how Takeru seemed to immediately lose his intelligence and ability once he was ousted. It was nice to see the guy have some doubts and flaws and show some chinks in the armor, but...I don't think Kobayashi should have made him SO pathetic, that he immediately just falls for all of Juuzo's bullshit. Juuzo's a loser, man. (More like Loozo, AMIRITE?!) I mean, I can appreciate that he needed his retainers to pull him out of his depression, but the show just went too far in making him hit such a bottom and seem so pathetic. There was no reason for him to quickly become that desolate, that seemingly incompetent. It was a misstep.

Actor Tori Matsuzaka isn't the worst actor to play Red, but I thought he was a little too stiff. They would sometimes work that to their advantage, like in the earlier portion when he was still growing to love his team. But a better actor would have made a lot of the character's later conflict pop more.

Kaoru Shiba/Shinken Red

I thought she was an interesting twist. And I again will commend Kobayashi for resisting the easy path in making her unlikable. A lesser show would have had her be an out and out asshole just to make you "feel" for Takeru and root against her. But Kaoru was pretty cool and understanding of the situation, and she held her own and did what she thought was the right thing in bringing Takeru back. While actress Runa Natsui isn't *bad* -- she's as stiff as Matsuzaka -- I think it was a mistake to cast her so damned young. The first female Red should have been a little older, maybe a bit of stunt-casting. (Maybe I should be grateful they didn't stunt-cast, because it would have probably been Nao Nagasawa.)

Arata/Gosei Red

I understand they wanted a different, softer kind of Red for this show, but Yuudai Chiba's casting as a lead, as a Red, still puzzles me. I mean, to me it's a little like casting Alan Alda to play Wolverine or something. And he had that Bieber look about him. Initially, he was a really weak Red and the character was a bit of a doofus.

I noticed from the start, though, that Gosei Red suit actor Yasuhiro Takeuchi -- a suit actor who I've admired since the late '90s, who FINALLY got his first shot at playing Red with Goseiger -- really made the most out of finally getting to play Red. He'll have moments where he acts youthful and playful to match Chiba, but he's always business and serious when in battle. I think it's completely thanks to Takeuchi's portrayal of Gosei Red that turned the writing for Arata around, because he DOES improve. Arata takes more action, he becomes braver, less stupid, he becomes more of a fighter, he's named the leader of the team. Chiba himself improves as a performer, and begins to dive into action scenes on his own, and that of course helps, but I still credit it all to Takeuchi. Takeuchi, you need to play Red again.

Gokaiger: the last good Sentai. Marvelous: the last good Red.

Captain Jean-Luc Marvelous/Gokai Red

I was apprehensive about Gokaiger when it first started; a lot of people were predicting it would be the Sentai version of Decade, with alternate worlds/characters and ass-hat characters. Well, what it ended up being was Decade done right, and I enjoyed the heck out of the show, even when it would agitate me (mainly by ignoring my favorite heroes).

I'm glad that the writers avoided making the Gokaiger too unlikable. They were supposed to be lovable rogues, not out and out assholes. Marvelous, as the leader, would have been Chief Asshole. But by enduring Zangyaku attacks on their own planets, by trying to pull themselves up and remold themselves for a harsher world, they knew what it was like to be the little guy, so from the very first episode, they were struggling with whether to turn the other way or help Earth. Marvelous called the shots, and he decided to help. Now, I think the show could have had them struggle a little more, or prolong the struggling, but I feel the show was designed to be welcoming to non-regular viewers. I think it wanted to leave the door open for people who maybe didn't keep up with every show, but wanted to jump in at whatever time and see their old favorite return. So that led to repetition, a formula, but I didn't mind it in Gokaiger's case.

And the Gokaiger end up making a huge sacrifice in the end. A lesser show, a lesser writer, a lesser producer (basically: writers like Kamen Rider writers Shouji Yonemura and producers like Shinichiro Shirakura) would have just had the Gokaiger be completely unlikable and keep the "Ultimate Treasure" for themselves and erase the history of Sentai. Gokaiger made the decision to save the Earth, and I feel like it's a big thing that's pretty overlooked by the turncoats who now complain about the show.

Anyway, Marvelous is the face of Gokaiger and represents all of its themes, the rebels who in turn become the heroes whose powers they basically imitate. I like Marvelous a lot, he looks out for his teammates and is always good in a fight. Actor Ryouta Ozawa makes him the appropriate amounts of likable rogue and full on hero, and I'm glad he was cast instead of that awful guy from Gaim.

Nobuo Akagi/Akiba Red

Despite how obnoxious I thought Gokai Silver's actor was, I still liked the character, thinking he was unique in that he was a Sentai fan -- how many other characters will come along who could be a Sentai fan? Well, Nobuo came along and made Gai obsolete. Nobuo's a really fun, unique character, and I like that he has the geek pride and many of predicaments are saved on his Sentai knowledge alone. After a certain point, Akagi basically stops feeling ashamed to be such a nerd, but the first Season had this sort of realistic approach where it showed how much he loved and bled for Sentai, but was still doing his best to hide it from a world that hates and fears geeks.

It's a character that could have been EXTREMELY obnoxious -- like Gokai Silver -- but actor Masato Wada just nails bringing the character to life.

Hiromu Sakurada/Red Buster

Here's a case of a weak actor happening to an OK role. Hiromu COULD have been cool. They're all supposed to be these elite spies, but the casting was just really bad. But especially bad in Hiromu's case, because...he was supposed to know his shit, be cool, good at what he does, and Katsuhiro Suzuki is just a 12 year old looking dork who didn't have much range. Who'd follow this pipsqueak's orders? So much of Go-busters was stalling for time and it was supposed to skate by on the bonds of the main three, but they were just all so bad and miscast.

There's an early episode where Hiromu disguises himself as Enter. Suzuki seems most animated there. Maybe he should have been cast as Enter, and maybe Enter's actor would have been a better Hiromu? (Enter's actor, Shou Jinnai, said in an interview he was under the impression he'd play Red or Blue and was surprised to be cast as the villain, so maybe that's why his Enter is such a monotonous bore.)

Also: I know writer Yasuko Kobayashi thinks she's being "funny" and "quirky," but Hiromu's whole freezing at chickens thing? One of the stupidest things in the franchise's entire history. Remember when, early on, Go-busters was being touted by Toei chief Takeyuki Suzuki and series producer Naomi Takebe as a "cool," "serious," "back to its roots," "reboot" of the franchise? Now think of the chicken thing and laugh at Toei's cluelessness.

Daigo "Kingoo" Kiryu/Kyoryu Red

I've made it fairly known how much I hate this guy. And fans are STILL complaining about how he hogs all of the screentime and glory in the series. For me, I don't have a problem with a Red hogging attention -- Red's the star of the show -- but if you're going to have a larger than life, boisterous Red, cast somebody who can pull it off and NOT the atrocious likes of Ryou Ryusei. He mistakes energy for just YELLING ALL OF HIS LINES, while EMPHasizing THE wrong WORds or syllABles. And he has that stupid, stupid haircut on top of it. Get outta here.

Right/ToQ 1

I hate ToQger. A LOT. Right...I didn't get his deal. His casting indicated a softer kind of Red in the Arata style, but that's not how he was written. He was a bit of a dummy, but at the end of the day, he was supposed to be the best one who kicked everyone's ass and had the traits of the slacker characters who just wanted to pig out and...bah! His casting to me seems totally like a pick that producer Naomi Takebe, who didn't work on ToQger, would have made. She's the one who's always casting people she likes instead of who's best for the job.

I mean, aside from Tokkachi, I don't think the ToQger cast were horrendous or anything. I could see them working in another show. But they were given nothing in ToQger to work with. Not even scraps. It was just such a pointless show, with one and a half episodes worth of ideas. I don't know why they seemed like they wanted to make Goseiger 2.0 when that show wasn't exactly a success.

Takaharu Igasaki/Aka Ninger

So far, so bad. People are hating this guy's guts, and it's not hard to see why. Actor Shunsuke Nishikawa is just terrible. He's grating and can't act and he's a mannequin freak. And the character himself is dumber than a pissy sock. (Fans have wisely taken to calling him "Bakaharu.") And I think it's again a case of the show writing to suit the actor -- if you look at the first episode, Takaharu was really the only one trying. He was the one into all of the ninjitsu crap and fighting the villains. Everyone else -- even fan favorite Kasumi -- was whining about why they couldn't or didn't want to fight as a Ninninger. But that quickly changed to where Takaharu is probably the worst one of the team. He'll probably get them all killed.
___________

So, what Red would I want as my leader? I really gave this some thought. Tsurugi is my favorite, but he'd be a bit of a hard-ass to work for. What about Jin, who I idolized as a kid, who's basically like Tsurugi, but less intense? Well, wouldn't you want someone who you trust knows what they're doing? That will always be dependable in a fight? Jin's good at what he does, but the Anti-Flash and other problems the team had which was caused by the Flash planets (i.e. the temporary losing of their powers in the early 30s) rules him out for me.

So, I went through the Reds in my mind, in chronological order. Kaijou? That guy's all business, he has a temper. Riki Honoo is really cool, but he's a kid. Gorou Hoshino seems reliable, but he's boring. I went through the Reds in order, set aside a couple of possibilities, when this thought entered my head...

Tono. Holy shit, would such a new Red be my choice? A Red from a show that's not a super favorite of mine? I was rewatching Shinkenger at the time I thought of the "Which Red would you want leading you?" question, and I noticed just how efficient Takeru Shiba seemed. He always knew what to do at every step of the way. He ran a tight ship, but was lax enough that you weren't required to worship him. Tono was THIS close to being my choice, but then I remembered the episodes where he's ousted when Kaoru arrives. Prior to that, he was still reliable, professional, in control, even though he knew he was a kagemusha and a sham. Why did he so quickly and easily lose control, lose ability, become ineffective? If it takes that little of a push to make him that way, to make him lose so much confidence and faith in his skills, maybe he WOULDN'T be the ideal leader.

So, I crossed off Tono. I soon just realized my choice would be Yuusuke/Red Falcon. He's a great fighter and swordsman, he knows what he's doing and takes being a hero seriously, but he's not a stick in the mud to hang around. With Yuusuke, you'd get the job done, and could be proud of your work, but know you're going to have some laughs.