Saturday, June 1, 2019

Shougo VS Lupinranger VS Patranger


It took me a while, but I've finally finished Lupinranger VS Patranger. (I really need to try to stay on top of Ryusoulger so it doesn't pile up, but that show ain't making it easy. #RYUSOULBORING!) I figured I'd round up some thoughts on the show and where I'd rank it on my list of Super Sentai.

I got some blowback when I said this before, but I'll say it again -- knowing that writer Junko Komura is a big Liveman fan, I feel like this show might have originated or been pitched as "What if the villains for the new Sentai were another Sentai?" So they then thought of ways to go about that, what themes would match, and it eventually got reduced to cops and robbers. Which COULD have worked, but...

The show we got never intended for the Lupinranger to be all that bad. In fact, the show favors the Lupinranger, those characters and their stories, far more than it does the Patranger. With producer Takaaki Utsunomiya, I feel like he was just basically wanting them to be like Gokaiger -- sorta scoundrels, but actually decent. So the show gets in the way of its own premise. It's a good team versus a good team and the way they sustain the premise is to make the thieves just minor nuisances to the cops, who always let them off the hook. In the end, the show makes the cops ineffectual and unable to do their job in order to let our real heroes keep doin' what they do.

Treasure collecting is never an interesting series-long premise, in my opinion. And it's an idea that's just very anime to me, one of those things that *might* work long term in a comic or cartoon, but is just not sustainable or believable in live action. The only time a toku's done the idea in a way I've liked is Sekai Ninja Sen Jiraiya, and that's because there were MANY people after the treasure, but the show also had many breaks from that plot. Here, it's just kinda dumb -- the Lupin want it, the police don't, so...what's the problem? Our "bad" Sentai is not only actually good, but their goal in no way hinders the police. They could easily work this shit out -- "Hey, cops! Don't destroy the treasure." "OK, 'thieves.' We don't want it, anyway, and it will be so much easier to deal with this monster that it's our job to deal with if you're not interfering and tryin' to get to the item we have no interest in." It's just not a good premise, and not done well.

I like the Lupinranger cast. Touma/Blue is my favorite, because I like the no-nonsense characters, and I think his backstory and motivation was given more detail and treated more seriously. I like Kairi, which is surprising since his actor is so damn young (and he often just looks disgusted in scenes, a big fan of nostril acting); they reallllly needed to film more with him and his brother, though. It could have been a really strong story, but they mostly only show that one damn clip of his brother chasing him down an alley with Kairi being a dick. I really liked the idea of Kairi being so torn up that he was so cruel to his brother, especially in his last moments, and they really needed to be unafraid to go into that some more, and get more specific about what his problem was. (It's obvious they were too afraid of making him too unlikable.) They make Umika a little too ditzy, but she's comedic relief, she's likable. The actress looks like she's having fun and is enthusiastic, and she's a Sentai fan, who had long wanted to be in a Sentai show, so that's cool. They never do a whole hell of a lot with her, though.

It's sad that...toku shows are kinda like procedurals, so a cop toku show should work out very well, but there's yet to be a perfect cop Sentai, IMO. (No, it wasn't Dekaranger, which was too doofy. It's like the Police Academy of toku cops. And the Uchuu Keiji don't scratch the itch, either, because they're cops in name only. Closest is probably Kuuga, and that's because it IS just a regular cop show!) And it's certainly not the Pat side of this show, since...the show doesn't really care about them, so they're treated mostly as useless, as nincompoops. The uncool obstacles for our, like, so totally much cooler stars, Jurer Sentai Lupinranger!

Keiichiro is just...bad. I dislike him, A LOT. I really don't understand why people name this character or actor as a favorite. He's so unconvincing. He's meant to be dedicated to his job, passionate, caring. He's a guy who can't live without the rule book. But the actor just goes TOO far, WAY overboard, seeming like he has severe mental disorders. He never seems caring; whenever he gives a supposedly impassioned speech about protecting the citizens or upholding justice, it's very forced and very insincere. The way actor Kousei Yuuki tries to convey being serious about his job is to just plaster on this bogus slack-jawed "serious" face and yell everything. I think he DOES show signs that he has it in him to do a better job, but...it's just a bad performance. And I can't tell if his instincts are wrong, whether he doesn't give a shit, or if he's getting some bad direction. One thing that doesn't help is that, when the show was starting, I think far too much was made of him looking like that overacting doofus from Drive to where it affected the way he played Keiichiro, and the way Keiichiro was depicted. And so the show DOES try to start writing that Keiichiro's awkward and goes overboard, but it still doesn't work, because the show tries to have it both ways -- they want him to be an over-the-top cartoon, but they want him to be serious and believable as a stand-up cop and hero and neither works -- neither in the writing nor acting. He just sucks.

Keiichiro's practically the second Akaza Banban. Banban, who was meant to be the nutty loose cannon who wiped his ass with the rule book. Banban, though, is kind of an idiot, and since Ryuji Sainei can't pull the character off, he ends up making Banban a psychopath. Keiichiro is the exact opposite of Banban -- he follows the rules, he respects law and order. He's passionate and is supposed to be an intuitive, intelligent police officer. And yet the actor goes too far and makes Keiichiro seem like a psychopath. Two completely different characters when, filtered through weak performances, meet the same result. *shrugs*

Episode 30 showed what a cool character Keiichiro could have been. I don't know why, but he's really restrained in that episode. Undercover, in another city, making a trade with some shady assholes who have a VS Vehicle. Kairi's on his ass to spy on him, and while he's focused on getting the job done, he takes a side trip to help a lost girl.

When he gets her to a police box, she's still upset -- she only got separated from her parents because she was trying to find her lost barrette. Keiichiro takes extra time to go all over the city looking for the girl's barrette. (Kairi takes the easy way and just goes and buys another one, before Keiichiro returns with the girl's actual missing one.) And it's like...Keiichiro just comes across as a nice guy in this episode, just really wanting to do the right thing and make people happy. He even tries to console Kairi when he's beating himself up for how he treated his brother.

Later when he's making the trade and is betrayed by the criminals he's dealing with, he just calmly kicks all of their asses, because he knew it would happen! If Keiichiro could have always just been restrained and coolheaded like this, I'd probably like him. He'd probably be one of the better Reds of recent years. But, for as unusual as this episode was in showing a calm, yet still fiery Keiichiro, they go and undo it by having him revert to the screaming jackass once Thief!Kairi shows up. And he's good in his moment with Kairi in episode 49, so...I don't know what the hell they were trying to accomplish with this character. But it just didn't work, and so he ended up as one of my least favorite Reds.

Sakuya is useless, and a fucking dolt, and the actor acts like he was just some schmoe they yanked off the street the day of filming because the actor they DID cast just bailed at the last minute...and the first fourteen runner-ups also turned them down. He's so one-note and cringe-inducing, always just yelling everything and making that same pained face, with one eye bugging out while the other squints. He not only yells everything, but he yells it in a monotone -- whether he's happy, sad, pissed, it's all the same.

I think you're meant to feel bad for how much the character gets mistreated, and the way everyone thinks he's a clumsy idiot, but I don't, 'cuz he sucks, and he IS an idiot. He's supposed to be the heart of the team, the one who's led by his heart whereas Keiichiro's led by the rule book and Tsukasa by logic, but Sakuya's always depicted too stupidly and he hardly even matters in the show. There's that episode where a monster supposedly causes Sakuya to keep making mistakes, but it's practically forgotten about, because that's just always how Sakuya is. He also always reacts to situations by whining and seeming cowardly. He's never good at the job, how'd he get hired? I guess his daddy must be the police commissioner. And what's the deal with the #2 suit's shade of green, the Mylanta color?

I really like Tsukasa, though -- she's the only character I like on the Pat side of things, and my favorite character of the show, and probably my favorite heroine since Matsuri/Go Pink. She's the serious one, the only one with smarts, the only one who seems competent and kick ass. And Okuyama's the only one of the three who even tries to act. Why in the fuck is she #3? She should be Red! And I kind of wonder if she was meant to be -- I can picture Komura and Utsunomiya building the show, knowing the Lupinranger are the real stars and that the Patranger are basically supporting cast. Therefore, maybe they could finally slip in a full-time female Red? Except, no, they're shot down by higher-ups, probably Bandai, who probably whine that, even if the Patranger are the secondary team, they have to pretend like the cops are the "stars," and therefore don't want to lose sales in merchandise based on the "star" hero, the cop, the Red. Their mistake.

I once joked, and still think, that Tsukasa should have quit the force and joined the Lupinranger, with Umika quitting the Lupinranger and joining the cops -- then it'd all match up. I think it's a big, big mistake to make the cop side look so bad, to make them the goofballs. If their intention was to make them seem more like underdogs, they failed big time. Other than Tsukasa, they just seem so stupid and incompetent.

Tsukasa's a one-woman Sentai. I love that episode where Keiichiro and Sakuya are off on their own to defuse a bomb and Tsukasa just explodes into a fight with the Gangler AND the Lupinranger on her own. And she kicks so much ass in that episode where she and Touma are in the Gangler dimension. If I were in charge of things, I would have kept Okuyama around and spun off Tsukasa into her own show -- she joins the universal police and becomes the new Space Sheriff. (I should also mention that I really took notice of Patran #3 suit-actress Ryoko Gomi -- she showed a swift fierceness in this role that she hasn't in any other, and really kicked ass.)

Noel's so nonsensical he should be in a Heisei Kamen Rider show. OK, that's an exaggeration. He makes more sense than that Diend turd. But the whole idea of Patren/Lupin X is a wasted opportunity. Instead of trying to write a character who's doing some subterfuge or obfuscation, a character who could add conflict to both sides, who's really steps ahead and doing a balancing act, let's just be lazy and have the character admit up front that he's working for both sides and they just accept that. And I don't care how mean it sounds, but I hate this guy's voice. He sounds like a Muppet. (Noel's basically just a human version of Good Striker. Bounces back and forth between the teams, has an annoying voice. Speaking of Good Striker -- what the hell's the point of that talking carrot, man? Why's it take half the series to even try to address who he is, where he came from? He never fit in the show, either. It's too ToQ.) While I ended up actually liking Noel -- and didn't predict his backstory -- I didn't think his motivation was that great. The way the show depicted Arsene Lupin was just too goofy to try to make him a big part of the dramatic background and motivation for one of our main heroes. Really, the way they make Lupin look is exactly like one of Masao's goofy disguises in Battle Fever.

The mecha...I won't say much about, since I'm not a mecha fan, but they are ffffffffffUGLY! The show dwells on the mecha far too much, the scenes just cluttered and practically unwatchable. (And unlistenable. Just loud and busy these scenes are.) The mecha designs remind me of Boukenger's, just big, ugly, indecipherable messes of metallic junk, you can't really tell what part's being swapped for what because it's all an eyesore and the eye sees these designs and scenes overstuffed with crap CGI and just decides to give your brain the finger. And that just pisses the brain off, because they're already in a fight with your ears, which are just like "Shut this show up! Why's it so loud!? Jesus, God, why do the Japanese have to make their superhero shows so loud?! This isn't a way for anyone to start a Sunday morning."

The villains are just uninteresting, and often feel like a part of another show. Terrible designs (seriously, why do they keep getting Masato Hisa to design these ugly, overly colored blobs), the same personality Toei's been giving bad guys for about a decade now (bored boss, gruff guy who speaks in monotone, sexy voiced monster-enlarging woman) and they lack motivation. (The head bad guy's reason for killing Lupin and taking the treasure pieces? Because he could, so why not? Ugh.) Take the unimpressiveness of the Zangyaku and the boringness of the Deathgaliens, and slap them in the ugliness of the Jark Matter and you have these goons. Zamigo could have been cool -- awful Mr. Freeze-like pun not intended -- but he instead is like one of the lesser koooooooky and quirrrrrrky Grongi, with the acting chops to match. And it doesn't help that the writers choose to use him by consulting a magic eight-ball. The monsters of the week are all interchangeable goofballs. The designs for all of these guys are bad enough, but the huge safes on them are just a...bad, bad look. What are the designers thinking?

So, it's like...the show's main story, as they choose to tell it in this series, isn't enough to cover 50+ episodes, so the show's just kind of stuck in stasis -- everybody's back where they started by the episode's end, it goes around in circles, and that gets kinda old. And when the show goes for an all -out comedy episode, it's unbearably bad -- usually the show at its worst -- so you can't even count on those to break up the tediousness. And even though it's not trying to shove a new toy down your throat every episode, it still has the dreaded format of all modern tokus where it's focused on characters just collecting shit. Yawn. So they might as well just pack the thing with toys, with its focus going so much into the boring-ass Lupin Collection. (Ooh, I'm supposed to get all tingly with emotion just because each treasure is a quickly made 3D-printed homage to a past Sentai prop? I'm flipping you the bird right now, Toei. They can't even put in the effort to have the prop cutesily match up with whatever power it's supposed to give the Gangler.) Fine, some pieces are supposed to be more important, because they're a new mecha or weapon upgrade, but even if I was a mecha fan, I doubt I'd like the mecha in this show, because they're an eyesore.

It's still as set on cruise-control effort-wise, tedious and full of wasted potential as most every post-Gokai Sentai has been, but not QUITE as annoying as shows like Kyuranger or Kyoryuger. Sometimes I wouldn't mind the show, sometimes I would be bored outta my gourd because all of the same notes it would hit. It's safe. It's boring. (They could have broken up the tedium by every once in a while throwing in a case for the cops that had nothing to do with a Gangler -- give them other villains to contend with. And give the Lupinranger someone else to fight over the Lupin Collection with since the cops didn't give a shit! Not that hard, guys.) Sometimes I wouldn't mind the show, sometimes I would be bored outta my mind. Still, though, since I like a few of the characters, I thought it had potential, and it was nice after something like Kyuranger to have characters who seemed like people, it has more of an advantage over a couple of other shows. As it is, I'd probably rank it between Hurricaneger and Goseiger on my ranking list, putting it at number 37.

The show needed to either just be 25 episodes long or plan itself better. It was a little too afraid to take itself as seriously as it obviously wanted to, and too afraid to break away from the norm. I think it was a mistake to have the cops enter the thieves' domain so soon into the series -- practically being buds with the Jurer staff by episode two led to a lot of the stalling and tail-chasing. I think the show should have started out by having the Lupinranger and Patranger in their own stories, and never intersecting. After the first cours, have the Lupinranger put themselves on the cops' radar. And then they're fighting for a while. By the early 20s, THEN have the cops becomes regulars -- maybe even friends -- with them as patrons of Jurer. Milking the tension of "Ooh, are the cops ever going to find out" for just 15 or so episodes towards the end of the series would be so much more believable and less frustrating as a viewer.

I think the show could have still twiddled its thumbs with the Lupinranger's loved ones and Zamigo as it did if they had done something like I'd just described. But the show pretty much lays out all of its ideas by episode two, and so it's just stalling for the rest of the series on every one of their ongoing stories. It just gets old after a while, and strains believability. It makes everyone seem stupid. (Stupider, in Sakuya's case.) It could have been a better show! That's basically my reaction to so many Sentai of the past several years. There's ingredients for there to be a better show, but Toei's just content with doing the bare minimum and switching to auto-pilot. A shame.

I think this one's going to end up like Go-busters. Like, it's a flat and boring show, but shows are going to get so bad, the fandom will look back like "Yeah, Lupinranger VS Patranger looks pretty amazing now."

13 comments:

  1. Hey Shougo big fan of yours, your posts are always pretty fun and amusing even if I dont agree with you sometimes.
    I want your advice, ive been out of toku for a while now the last show that I watched was Drive and I hated it so much that I dropped the entire genre (the last sentai that i tried to watch was Nininger, terrible). The only shows since that look kinda interesting to me are LupinvsPat and Zi-O because of the anniversary theme. Do you think these shows can reignite my interest for the genre? If not, what modern shows would you recommend?

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    1. Thanks!

      Yeah, I'm not sure if there's something I'd recommend. If Drive and Ninninger put you off, not much has changed for either franchise since them.

      While Lupinranger VS Patranger isn't as annoying as some of the other recent Sentai, it's on the boring side, so I wouldn't recommend it to you with your situation.

      With Zi-o, I think it depends on how much you like the past ten years of Kamen Rider. It's a celebration of Heisei Rider, but very much in line with the past several shows. I started out with the intention of watching the whole show, quit after seven episodes and I just jump to episodes pertaining to the old shows I like. And even when Zi-o pertains to an older show I like, I don't think what it does is good. But a lot of people seem to be enjoying it now. Toei's done a lot to kill my feelings for Kamen Rider, so...I haven't been happy with the franchise for a while, so maybe I'm not one to ask.

      People say Kamen Rider Build is pretty good, but I haven't watched it, so I can't really recommend it. I have my doubts, though.

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  2. Hmmm I wonder do you feel you could be just having a generation gap issue? Personally, I do like Lupin vs. Pat and Keiichiro happens to be my favorite character overall - especially due to that undercover episode. He also reminds me of myself as a stubborn mule too.

    Though I do have a beef with the ending. I wish the ending had a more definite conclusion than everyone getting back at the beginning. It just ruined any character development that happened earlier. Like, I think both sides should've defeated the final villain together. Sigh!

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    1. I don't think a generation gap has anything to do with it, since Lupinranger VS Patranger failed so massively, it's obvious that kids also recognized it as not being great.

      They don't even defeat the final villain! So, the Lupin Collection is never completely recovered and the Ganglers are still around. Both sides failed.

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    2. Hmmm now you mentioned it -- I do have beefs with how it ended. It should have ended with both sides finally joining forces. Like, have them collect the rest of the Lupin collection TOGETHER at the end.

      Anyway, what do you think caused the show not to click with kids?

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  3. A old rumor for Lupinranger vs Patranger stated they were going only to meet up by episode 20 and not before

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    1. Huh. That's interesting. Like I said, it would be better for them to have not shared the screen for a while. This set up required a break from the usual toku format, but LuPat was too afraid to stray from the norm. I wonder how accurate that rumor is, if it was an early plan that got leaked before it was changed.

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    2. It could just be a story fans created to be a rumor but a early plan for the show sounds more interesting

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  4. Gonna be honest, 2018 was a pretty rough year for me as a toku fan. While I enjoyed Lupat well enough (particularly it’s first half), there was a lot of confusion for me throughout the year. As in, I wasn’t sure what I even wanted from Sentai or even what to hope for it. Like, sure, Lupat wasn’t the best, but what did it say if I was just settling for just decent at best? I dunno.

    A lot of this was probably the result of what I think is my Dark Age of Sentai kinda destroying me. That being the ToQger, Ninninger, Zyuohger run. Those shows were full of nothing, and had no attempt to try and be anything. I know shows like Kyoryu and Kyu aren’t your cup of tea, but I feel like those shows at least tried to be something. That they at least were run by people who seemed to care about Sentai. The 3 year run of ToQ, Ninnin, and Zyuoh were just brutal for me. I felt like Sentai was never going to get to even try to be anything anymore.
    (similarly, I felt the same with Rider, with the Drive, Ghost, Ex-Aid, and Build run)

    I feel kinda sorry for Komura. I feel she’s a Sentai writer who landed in the wrong era. She clearly wants to do hero vs villain plots (which I think is even hinted in Zyuoh). But she’s clearly not allowed to do so.

    I think the way I approached Lupat was via an action perspective as top priority. While I get your complaints on the hero vs hero stuff not working (I saw it as law vs chaos. Or even a better version of what Faiz’s setup attempted), as well as the treasure collecting aspect, I feel the show worked in how the Lupins have their motivations, the Pats have their motivations, and the Ganglers have their motivations (plus, I think the Safe concept works in this regard). And basically how they all crossover each other. And I quite dug the camera work and the use of warehouses personally, despite it’s noticeably small budget. After sitting through visually ugly shows like ToQ and Zyuoh, being comfortable to visually watch and sit through a Sentai like Lupat was a breath of fresh air for me. I mean, sure, the mechs I agree are fugly looking. But I appreciate that the directors also try to keep the action entertaining (and I think this worked out better for me than Go-Busters’ attempts). Plus, I think Goodie works as a concept with the two team setup in how he picks them simply based on how he’s feelings towards them.

    Keiichiro works for me simply because of his charisma. Yeah, I can see why you'd find him kinda awkward. I do agree he was kinda bad in the first few eps. But I dunno, I guess I just got used to him, and he just somehow became the glue of the show for me. I feel Kairi is the one who's too passive, and I feel his actor does improve as the show continues. So the funny thing is, the Patrangers actually stood out to me more than the Lupins did.
    And it's funny you bring up Ban, as he's a character who's actor I find kinda weak, but I ultimately didn't mind, because I liked a lot of the episodes he was given. So... I dunno, I somehow just ended up getting used to Ban. Though that may more be the credit of Arakawa's writing maybe?
    Speaking of Arakawa, I did dig that one Lupat episode he wrote about Keiichiro's lover (wish they brought her back for the finale).
    As for them both being psychopaths.... I suppose that's one way of looking at it? xD
    I feel like I should be more bothered about it, but strangely, I'm not. Either my standards have changed, or my tolerance has changed, or maybe it's a result of some really bad shows out there beating me up. xP

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  5. About Sakuya, this leads into one of my problems with the show's narration. I actually don't mind Sakuya. BUT! I feel one of the biggest flaws with Lupat is that when it hits the halfway mark, the show really needed to shake things up and go in new directions. Especially when the cast is helping make their characters grow as people. But the show chooses not to. It instead prefers to keep the status quo the same. Thus, I feel the whole cast kinda gets locked (except maybe the reds) and are unable to grow, even though there are signs they really should've. And I feel this is particularly noticeable with Sakuya and Umika. Personally I think the Ganglers should've been defeated around the halfway mark, instead of the finale.

    Wow, didn't know you liked Tsukasa so much. I personally was really surprisingly pleased with how much I really liked her. She has that old school badassery I feel. Definitely one of my favorite characters.

    It's funny, when initial Lupat news was still coming out, I wondered if this'd finally be the opportunity for there to be a season long female red, like how Utsunomiya has been pushing for. But yeah, if there was an attempt, I can so see how Bandai would think "why risk a female red, when we could get more money with TWO MALE REDS???"

    I feel bad for Noel. I quite like him. And I think his debut arc was pretty solid. And like you, there's very few additional hero characters I like. But I think this is the most I've enjoyed an Additional Hero debut arc since like... geez, TimeFire. I like the actor and the action he brings. And I think he brings an interesting position into the whole conflict. But sadly, after his debut arc ends, it becomes quickly obvious that they had no idea what kind of story to tell with Noel on an ep by ep basis. Again, I feel the story really needed to shift gears shortly after Noel's debut, instead of keeping things samey. Again, the show was so ready to move on to new things, and it just didn't.

    Zamigo I thought was neat early on. When he was kinda like a dangerous Abrella type of character, who enjoyed doing dirty deeds in the shadows. And then they decided to make him a boring Juuzo clone by making him obsess over wanting to fight Kairi. Which really sucks, because I think everything about Zamigo that doesn't involve Kairi is way more interesting! Ah well.

    Maybe I'm starting to get used to loud noises in my toku? Cause I think I've been getting more and more desensitized to Kyoryuger's sounds as the years go by. xD
    Maybe you're just old Shougo. (kidding! xD )

    Oh dear, Lupat still lost to Hurri for you. xD

    PS: I’ll read your RX posts whenever I get the chance!

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    1. I had a hard time deciding if LuPat should overtake Hurricaneger. And it was something I could really consider since I had just finished rewatching the Hurricaneger Shout set shortly before I finished LuPat. While I like Tsukasa more than any of the Hurricane heroes -- Gouraiger and Shurikenger included -- and I think Hurricane gets far too mecha obsessed, there's still more variety in Hurricaneger than there ended up being in LuPat. Like I said, LuPat finds its spot and just sticks there. Hurricane also has some nostalgic attachment, so...

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  7. I feel like LuPat would've worked better as a series that was separate from each other for at least 20 episodes as you mentioned, just so each team could establish their own characters for us as the viewers. I thought the Lupinrangers world was one that had cops as bad guys, like literal police officers committing crimes, leaving the world defenseless, so the Lupinrangers are searching for the lupin collection so they can wish for a better world.
    The Patrangers world is on where the Gangler's arrive and of course the rangers are protecting earth from the invaders! Somewhere around episode 8 or so, the Lupinrangers discover there's a parallel universe that they need to go to so they can get get other lupin treasures. Of course they arrive and they are battling the Patrangers because they see them as the bad guys, and the cops arent as hateful to the lupinrangers, they're more trying to figure out their motives in a more calm and collected type of way.
    The next couple of episodes has the Lupinrangers defeating Gangler monsters while also battling the Patrangers till the arrival of Noel around episode 20, who of course has powers of both teams, but is more secretive about it, with his identity hidden much like Shurikenger in Hurricanger. Eventually the Patrangers would learn of the world the Lupinrangers came from and finally are able to prove that they are good cops here on Earth. The rest of the series is both teams working together to rid the cops earth of the ganglers, then both teams travel to the Lupins world to try and rid their planet of the evil cops there

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